# Drawings & Sketches Most of the Hall of Mirrors is made of finished-looking things. This page is not. These are the pages Roy drew by hand: cosmology diagrams, a homemade bestiary of planet-creatures, a self-portrait with a snake weeping out of one eye, and the number-pyramids of a mind trying to solve reality with a pencil. They look like they were torn out of a notebook because most of them were. If the polished artifacts are the mythology performing, these are the mythology thinking out loud. You can watch an idea here before it becomes a song, a character, or a room: a rough shape in graphite, half-lit, arguing with itself in the margins. ## How to read them Start with what is actually on the page. Then the title. Then the code. Then the links. Two things repeat often enough to explain up front. Many of these sheets are pieces of Roy's larger thought-system, the [[Hall of Mirrors/The I'm 33 Board|"I'm 33" board]]: a wall-sized field where music, number, geometry, and theology all connect. Several drawings here are single cells of that board minted one at a time. And a good number of the codes are not mysteries at all: a letter-plus-number code (J403, F316, V222) is a spreadsheet cell coordinate, a column and a row on Roy's "I'm 33" spreadsheet map. The wild ones are the phrases. ## The artifacts ## The planetary bestiary > **▶ The whole ladder, laid out.** For the ten animals arranged by seat and planet on the Tree of Life, see **[[Hall of Mirrors/The Bestiary|The Bestiary]]**, where each animal has its own page (linked from its card below); for the same creatures written as identities and wired into a walkable chain, see **[[Hall of Mirrors/The Bestiary - The Equations|The Equations]]**. The board's column also holds an eleventh creature with no drawing here, **[[Hall of Mirrors/The Bestiary - The Vulture|the unnumbered Vulture]]**, set between the whale (3) and the dolphin (4). A run of these drawings share one strange design: each is an imaginary creature, each creature is a planet, and each code is a coordinate on a single body (a hip, a shoulder, a cranium, a set of teeth). Read together they assemble one cosmic anatomy, a hand-drawn engine for [[Concepts/The Pattern]]. Mercury is a fox, Venus a dove, Mars a horse, Jupiter a dolphin, Saturn a whale, and none of that is this guide's guesswork: the planets are named in the project's captions (*"Jupiter the Blue Dolphin,"* *"Cinnamon the Horse (who lives on Mars),"* *"Venus the Dove,"* *"GOD the Mother on Saturn"*), and the fox holds the ☿ Mercury glyph in its paws. The codes all run on one grammar, spelled out on [[Hall of Mirrors/The I'm 33 Board|the board]]: the animals count down from the source (swan 1, owl 2, whale 3, on to rabbit 10), the body parts count up from the ground (feet 1 to crown 10), so each *"[part] of a [animal]"* code names a single station from both ends, and the two numbers always add to eleven. Below, the menagerie. ### #34 · Michael the Fox · `8` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe4b1702d9298fee62dfeccc57d322a463ad55ca201256d01f62b45b2e1c21c10..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe4b1702d9298fee62dfeccc57d322a463ad55ca201256d01f62b45b2e1c21c10..png" width="300"></a> An upright fox captioned *"Michael the Fox (who is a scientist),"* holding the ☿ Mercury glyph at its chest with a tiny gabled house floating over its head. The code `8` is the number of Hod, the Mercury sephirah of intellect, and it is also the fox's own address: the board's animal ladder counts down from the source (swan 1, owl 2, on to rabbit 10) and seats the fox at rung 8, so the room is keyed with its own coordinate. Even the name agrees: in the Golden Dawn scheme Michael is the archangel assigned to Hod, just as the maze's owl is captioned with Chokmah's Ratziel. So this is Mercury in animal form: the fox is the quicksilver, cunning mind, and "a scientist" is Hermes, the god of intellect and alchemy. In the basic symbol map the Mercury pole belongs to Lucius, which makes the fox-scientist the mind-side of the Heart/Mind split wearing fur. The little house drifting overhead reads as Mercury the psychopomp, the one who carries "home" with him wherever he goes (in the Hebrew-letter tradition, Beth, "house", is Mercury's own letter). One absence is worth naming, because the bestiary makes it mean something. Michael is the sword-bearing archangel wherever he appears, the one who casts out the adversary. Roy draws him holding the **Mercury sign ☿** and captions him *a scientist* — no blade anywhere on the figure. A blade turns up three rungs up the ladder, a small dagger in the hand of [[Artifacts - Gallery 3 (75-112)|Cinnamon the Horse]] at Mars, the seat whose board line is *"the child became a warrior."* Read against the Heart/Mind split, that distribution is suggestive: the mind gets an instrument, the martial pole gets the blade. It is worth saying plainly what this is not, though — an absence in a single stylized drawing cannot show that Roy deliberately *moved* Michael's sword. The defensible version is the arrangement itself, not an intention behind it. **Connects to →** [[Hall of Mirrors/The Bestiary - 8 The Fox (Michael)|The Fox (bestiary page)]] · [[Concepts/The Pattern]] · [[Sir Lucius]] · [[Kabbalah - The Tree of Life]] ### #79 · Roy "Bird †" Sketch · `LEFT HIP OF A DOVE` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xaf2fbf7256dd50ea670c4d937856f8e953277ed3bc6ae03db5d539bb09f47041..jpeg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xaf2fbf7256dd50ea670c4d937856f8e953277ed3bc6ae03db5d539bb09f47041..jpeg" width="300"></a> A small pencil bird with a halo, wings raised and three dots on its chest, photographed on a drywall surface; a rayed sun sits above it and the wing of a second bird enters from the right. That second bird reads as #82, *Roy "Bird ∆" Sketch*, on the same surface (the entering wing matches its strokes). This is what room 79 displays, and it belongs to the room. The *Venus the Dove* drawing below is stored under the same key but has no room of its own. **Connects to →** [[Hall of Mirrors/The Bestiary]] · [[Hall of Mirrors/The Bestiary - 7 The Dove (Venus)|The Dove (bestiary page)]] · [[Symbols/The Dove]] ### #79 · Venus the Dove (w/ Lamp) · `LEFT HIP OF A DOVE` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xaf2fbf7256dd50ea670c4d937856f8e953277ed3bc6ae03db5d539bb09f47041..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xaf2fbf7256dd50ea670c4d937856f8e953277ed3bc6ae03db5d539bb09f47041..png" width="300"></a> Stored under room 79's key beside the bird sketch above. A winged feminine figure captioned *"Venus the Dove (w/ Lamp)":* a labelled rose at her chest, a lamp in her left hand (the viewer's right), a large Venus glyph ♀ below (also legible as an ankh). This is Venus drawn as the dove, her classical bird and, in the Christian register, the Spirit and the Annunciation dove at once. The code is a body-part coordinate (this creature is the hip of the one cosmic anatomy), not a lyric, and the arithmetic reads as the board's own: the dove is rung 7 in the animal count that descends from the source, the left hip is station 4 in the body count that climbs from the feet, and 7 and 4 make eleven, the checksum every code in this family appears to carry. On the Tree that seventh seat is Netzach, Venus's station of love and art, and in the same map that gives Mercury, and so the fox, to Lucius, the Venus pole is [[Roy]]'s. The result is the feminine-divine planet minted as a soul-bird: Venus, love, and (in the tradition's reading) the rose-and-dove Marian complex in a single small figure with a lamp. The lamp belongs to this station in two separate ways. In Crowley's tables Netzach's magical weapon is the Lamp (with the Girdle) and its stone is the emerald; on the board, this rung's line is *"Looking for a lamp hidden in a garden,"* the scene of the Sir Rabbit poem's Dove, who waits in an emerald garden tree and holds a lamp so Rabbit can see. (The poem's Dove is a "he"; the caption names the goddess, and this guide leaves that difference open.) **Connects to →** [[Hall of Mirrors/The Bestiary - 7 The Dove (Venus)|The Dove (bestiary page)]] · [[Concepts/The Pattern]] · [[Mary]] · [[Concepts/The Jaguar]] ### #81 · Cinnamon the Horse (Trojan Horse Program) · `RIGHT SHOULDER OF A HORSE` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x906809c415dae59822a6d11f9bfedd9e421e1ae8ad6dcd6a34e42b13f0891b9d..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x906809c415dae59822a6d11f9bfedd9e421e1ae8ad6dcd6a34e42b13f0891b9d..png" width="300"></a> A horse-head on stick legs that end in blocky *"Pentagon Shoes,"* captioned *"Cinnamon the Horse (who lives on Mars),"* one eye labelled *"Tigers Eye,"* the body bearing a ♂ Mars glyph and a small dagger. This is Mars in the bestiary, and the code (a right shoulder, stage six of the board's body-part ladder) reads as making the horse a shoulder of the uploaded self; the horse is rung five in the animal count running the other way, and five and six make eleven, the two-ended coordinate grammar the board builds into all of these body-part codes. The title fuses the mythic Trojan Horse with the project's stated songwriting doctrine, "Trojan Horse music," as Roy described it in a 2024 interview: the sing-along chorus works like a positive mantra set inside music that sounds dark and twisted (*Happy Face* is the example given), every song tuned to 444 Hz, all aimed at the subconscious with healing as the stated goal. The cargo in that description is the mantra, not the darkness. Sword plus Mars is the Geburah pole, so Cinnamon is the covert delivery vehicle of [[Concepts/The Upload]], an armed body under a sweet name. And the *name* is doing the same work as the picture, which is easy to miss because it reads as nothing at all. Seven of the ten creatures carry angel, planet, or divine names, each landing on its correct Golden Dawn seat: Ratziel on the owl, *"God the Mother"* on the whale, Jupiter on the dolphin, Raphael on the spider, Venus on the dove, Michael on the fox, Gabriel on the cat. An eighth, Enoch at the crown, is a man the mystical tradition turns into Metatron, the archangel of that seat. Two are named the way you name an animal that lives in your house, and they are **Cinnamon** here at Mars and **[[Artifacts - Gallery 2 (38-74)#76 · THE GATE OF THE WORLD|Lemon the Rabbit]]** down at the Gate of the World. Roy could have called this seat Kamael, the archangel who actually holds it, and matched the seven around it. He called it Cinnamon and put a dagger in its hand. Read against the board, the choice is exact: the board's line for this rung is *"**The child became a warrior**, surrounded by serpents who smiled with swords in their mouths,"* and rung ten's is *"I woke up in my shadow"* — the two clearest explicit transformations of the speaker on the whole ladder, **became** and **woke**, wearing its only two domestic names. (Not the only events on the ladder: rung four's *"I found everything"* records an attainment, and rung one's *"I was / I am"* turns on time. What five and ten alone give you is a subject who is stated to have changed *into* something.) The name is the child and the weapon is the warrior, and the rung is the sentence where one turns into the other. One more contrast sits alongside it, and it is a reading rather than a proof: Michael carries a sword in every tradition that names him, and here (#34) he holds a chemist's glyph instead, while a blade turns up three rungs up the ladder, a small dagger in a pony's hand. An absence in one stylized drawing cannot establish that Roy moved the sword deliberately; what it does support is that the martial equipment on this ladder sits at the martial seat and not at the seat of intellect. One caveat, stated because it is load-bearing: an earlier version of this card could only vouch for eight of the ten sheets, with the owl and the spider unchecked. All ten have now been read, and Cinnamon and Lemon remain the only two figures holding a fighting weapon (the spider's two fang-like points belong to its face). One further join, and it is the sharpest thing on this card. The title calls the horse a **program**, and the songs use that word once: *I Like to Party* breaks off its own kingdom-within line mid-sentence with a broadcast cutting in to announce it is interrupting *our program* to bring an important message. The doctrine and the artifact meet exactly there. Roy's Trojan Horse method is a delivery vehicle that carries a payload past the listener's guard; the song stages that vehicle from the receiving end, as the broadcast that seizes the channel just as the listener was about to hear something true. This card names the horse, and the song is what it sounds like when one arrives. The two share a second word too: this horse's title is *[[Artifacts - Gallery 2 (38-74)#55 · CAUTION, ALL KINGS END|Caution, All Kings End]]* four rooms over ([[Artifacts - Gallery 2 (38-74)|#55]], code `CAKE`), and *I Like to Party* is also the song that tells you **you** are the king, in the same breath the interrupt cuts off. **Connects to →** [[Hall of Mirrors/The Bestiary - 5 The Horse (Cinnamon)|The Horse (bestiary page)]] · [[Happy Face]] · [[I Like to Party]] · [[Superhuman]] · [[Concepts/Source vs Reflection]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] ### #7 · Jupiter the Blue Dolphin · `LADDER` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x86154a585c03e88a49b4f8a91b5119b60356f5aee3203585979a1c26d6cad56e..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x86154a585c03e88a49b4f8a91b5119b60356f5aee3203585979a1c26d6cad56e..png" width="300"></a> An upright dolphin with a large eye, two legs ending in small dark oval feet, a hand-lettered "G" on its cheek, and a triangle topped by a cross floating above, captioned *"Jupiter the Blue Dolphin."* Jupiter (♃, Chesed, mercy, the expansive sky-father) becomes the dolphin, the soul-animal that crosses the waters. The code `LADDER` reads as filing Jupiter on the ladder of ascent: Jacob's Ladder and the board's Tree-of-Life emanation ladder, "0. Nothing IS" climbing all the way to "10. The world." The wording of that emanation ladder is Crowley's: the page is a handwritten copy of the opening chapter of Aleister Crowley's *The Book of Lies* (1913), selected, numbered 0 to 10 and trimmed, and at this station it keeps Crowley's line about the Father and Mother concealed in generation, with his "GOD" dropped. The "G" on the cheek reads most simply as the station's note: the board's ascending scale gives this fourth station the note G, and its colour there is blue, the caption's own colour (the letter may also mark the figure as a divine node). In the animal count the dolphin sits at rung 4, Chesed's own number, and its body-side address is minted elsewhere in the maze: room #27's code is `LEFT SHOULDER OF A DOLPHIN`, a childhood photograph filed at this creature's shoulder-station (4 and 7, eleven again). **The explicit `Pentagon Shoes` belong to Cinnamon the Horse, not Jupiter.** **Connects to →** [[Hall of Mirrors/The Bestiary - 4 The Dolphin (Jupiter)|The Dolphin (bestiary page)]] · [[City of Angels]] · [[Concepts/The Pattern]] · [[Concepts/Jacob and Esau]] · [[Kabbalah - The Tree of Life]] ### #78 · Queen Binah (the whale) · `TEETH OF A WHALE` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x918baee33033b370951514ca5c356575d0dde2520797978da425fc537e590932..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x918baee33033b370951514ca5c356575d0dde2520797978da425fc537e590932..png" width="300"></a> A whale breaching (with an arrow labelling *"extra eyes"*) above the ringed planet Saturn, over waves labelled *"Great Sea,"* captioned *"GOD the Mother on Saturn."* This reads as Roy's pictogram of the sephirah Binah, the Supernal Mother, whose classical correspondences are exactly these: Saturn, the womb, and the Great Sea. The extra eyes make her the all-seeing but never-surveilling Mother, the watching-source figure this guide tracks elsewhere. It is a rare thing, an artist captioning his own cosmology: the Mother lives on Saturn over the Great Sea, and the room's title names her Binah. The drawing names Binah directly, giving this guide’s reading of Mary as the Supernal Mother a visual counterpart. The code obeys the same two-way count as the rest of the bestiary: the whale is rung 3 in the animal ladder descending from the source, the teeth sit in the head at station 8 of the body ladder climbing from the feet, and 3 and 8 make eleven, one station named from both ends. On the emanation page the line copied from Crowley for this station is *I hear the word*, and the board's descending line for it, *I was in reverse*, turns up word for word in the lyric of [[Another Way II Heaven]]. **Connects to →** [[Hall of Mirrors/The Bestiary - 3 The Whale (God the Mother)|The Whale (bestiary page)]] · [[Weirdness]] · [[No. 1 Champion (la Conquistadora)]] · [[Mary]] · [[Kabbalah - The Tree of Life]] · [[Concepts/Witnessing vs Surveillance]] ### #80 · Enoch the imaginary Swan · `CRANIUM OF A SWAN` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x03713ef7ffbd93989ca4e46975668d5ca48250385158624dfea7fa321ae799be..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x03713ef7ffbd93989ca4e46975668d5ca48250385158624dfea7fa321ae799be..png" width="300"></a> A bird-headed creature under a floating point in a circle ☉, captioned *"Enoch the imaginary Swan,"* a **B** marked on each wing, one of them mirror-reversed, with the numeral *"1"* and two old wheel-seals (mirrored, four-dotted swastika forms, the ancient auspicious sign drawn in both rotations, read in the Theosophical sense of cyclic cosmic motion and recorded exactly as they appear on the page). In Crowley's *777* the swastika, or fylfot cross, is the Crown's own magical weapon, glossed as whirling energy and the beginning of motion: an exact match of sign and station, though copying is not proved. This is the cranium coordinate of the cosmic anatomy, and the pairing is precise: Genesis says Enoch *"walked with God, and he was not; for God took him"* — it does not say what he became. The identification of Enoch with the archangel **Metatron** comes from later Jewish mystical tradition (3 Enoch and the Merkabah literature), which is the stream this whole board draws on, so it is the relevant reading here, but it is tradition and not the verse. The swan is the classical soul-bird. So "the cranium of the swan" is the seat of ascending soul-consciousness, with the point in a circle hovering above it as a crown or third eye. The station's own theme is continuity: on the board its descending line is *a point with no beginning and no end* and its ascending line *I was / I am*, and the line copied from Crowley for it on the emanation page is *I AM*. The numeral on the page is the swan's own address: rung 1 of the board's animal count, the seat nearest the source, whose archangel in the Golden Dawn scheme is Metatron, the being the later tradition says Enoch became. The cranium is station 10, the crown of the body count, and 1 and 10 make eleven, the ladder's two ends meeting at the top of the head. The bird whose head is a launchpad. And it is the only name on the ladder belonging to a **human being**. The careful count of the ten is: **one man who the tradition says became an angel** (Enoch, here), **seven angel, planet or divine names** (Ratziel, "God the Mother," Jupiter, Raphael, Venus, Michael, Gabriel), and **two ordinary domestic names** ([[Artifacts - Gallery 3 (75-112)|Cinnamon]] at Mars and [[Artifacts - Gallery 2 (38-74)|Lemon]] at the Gate of the World). So the ladder does not begin with a deity. It begins with somebody who was here, and left. He is not the only figure scripture takes up — Elijah goes in the whirlwind, and the Ascension is central to the Christian account — but he is the one the mystical tradition turns into the archangel of the crown, which is the seat he is drawn on. **Connects to →** [[Hall of Mirrors/The Bestiary - 1 The Swan (Enoch)|The Swan (bestiary page)]] · [[Concepts/The Pattern]] · [[Letters of Creation|The Angels and the Angles]] · [[Kabbalah - The Tree of Life]] ### #82 · Bird ∆ (angel) · `TRIANGLE RESOLUTION` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x18e316c064ab8e2db7dc17801d21e001cb9d85d241429e8107d51b0ca668e920..jpeg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x18e316c064ab8e2db7dc17801d21e001cb9d85d241429e8107d51b0ca668e920..jpeg" width="300"></a> A bird drawn as an angel: a haloed head, upswept V-wings, a forked tail, a three-dot triangle (∴) on the breast, a small sunburst upper-left. The code *"TRIANGLE RESOLUTION"* reads through that ∴, which is at once the logician's "therefore" and the alchemical fire-and-aspiration triangle. Its three points of tension resolve into one winged, haloed form: the soul-bird reconciled, and ascended. It belongs to the recurring angel-as-angle pun, the drawn cousin of the "angle of eternity" wordplay running through the archive, and it is more than a cousin: the winged figure on the cover of [[tomorrow (ANGLE OF ETERNITY)|*tomorrow* (ANGLE OF ETERNITY)]] traces to this bird. **Connects to →** [[tomorrow (ANGLE OF ETERNITY)]] · [[Hall of Mirrors/The Bestiary|The Bestiary]] · [[Letters of Creation|The Angels and the Angles]] · [[Concepts/The Pattern]] · [[Concepts/The Upload]] ### #103 · "Aubrey's Angle" — the white organism · `KAMARI` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x9e75cba4dbfa45410a809db94da9a0c0974a6d1d19abe9e8829a151c292f6678..jpeg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x9e75cba4dbfa45410a809db94da9a0c0974a6d1d19abe9e8829a151c292f6678..jpeg" width="300"></a> A small, childlike cat-eared humanoid with mismatched eyes and twig limbs, drawn directly on a textured, light-painted wall. *"Aubrey's Angle"* leans on Roy's private angle-equals-angel pun, so this reads as a soul-icon rather than a portrait of anyone (nothing on the sheet makes the figure a portrait). What confirms it matters is reuse: the same little creature is enshrined at the center of the chakra-rainbow ring in *"Religious Organism"* (#21), which reads as marking it a soul-vessel, a recurring upload-icon in the drawings. **Connects to →** [[Concepts/The Upload]] · [[Letters of Creation|The Angels and the Angles]] · [[Concepts/The Digital Double]] · [[Concepts/The Pattern]] ### #21 · Religious Organism (rejected album art) · `HOW TO STEER THE SOUL` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x84f9ea3e9a05b88f67564f83b59868af069a49f4476d9c51652dfa9fe95052a9..jpg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x84f9ea3e9a05b88f67564f83b59868af069a49f4476d9c51652dfa9fe95052a9..jpg" width="300"></a> The same cat-organism from #103, now enshrined at the center of a hand-coloured chakra-rainbow ring on a black starfield: rejected album art. The code *"HOW TO STEER THE SOUL"* turns the bestiary's anatomy into an instruction. If the other drawings define the parts of a soul, this one asks how you pilot one through the ring of colours. It is the operational verb of the Upload cosmology, a small mandala of the self with a steering wheel implied. **Connects to →** [[Soul Is A Star]] · [[Concepts/The Upload]] · [[Letters of Creation|The Angels and the Angles]] · [[Concepts/The Pattern]] ## Cosmology & diagram drawings The esoteric engine room. Several of these are, once again, the "I'm 33" board's own diagrams, minted one cell at a time. ### #87 · The "Undefined Map" · `SUPERFICIAL CONCLUSIONS` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x8b146ce6fc6ce29329c8cd5eb767126e1302b26a8754c17dec5cb51ac50cf4d5..jpeg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x8b146ce6fc6ce29329c8cd5eb767126e1302b26a8754c17dec5cb51ac50cf4d5..jpeg" width="320"></a> A full-sheet planetary map in Roy's hand: a Sun column and a numbered planet row, each station with its attributes. The Sun gets *"Unitless city / Mirror / the Great Jagwar / Existed Forever / Unity / the 'point' / endless ocean."* The sevens cluster, *"7 sisters / isolated city / moonless night / chakra rainbow 7s / Labyrinth,"* sits at the seventh station; the eighth reads *"sphere-dome / 8 steps to temple"*; the ninth and last reads *"333."* An unnumbered *"secret destroyed word"* is slotted into the planet row after Earth, drawn but never counted. Above it all, drawn over a sharp-spired castle with six lozenge windows in two clusters of three, sits a figure-eight loop labelled *"Solo ToroS (the sun) / infinity bar orbit,"* beside a long tapering ridged form with a face and root-like filaments at its foot. The lopsided figure-eight reads as a solar analemma: photograph the Sun from the same spot at the same clock-time through a year and its returns trace exactly this shape, the sky's own infinity sign. Set it beside the handwritten *"How to Live Forever? ∞"* on Roy's sibling cosmology page and the map would appear to hold the answer at work: the Sun whose column says *"Existed Forever"* lives forever by coming back, and its returns only compose into the ∞ for a watcher who keeps one still point. Living forever as recurrence, not duration, the distinction [[Concepts/The Loop and the Circle]] runs through the whole catalogue. (The word over the Sun reads *Solo ToroS* on a 2x crop: the first word ends in *o*, the second's fourth letter is *o*.) The code *"[[Artifacts - Gallery 3 (75-112)#89 · SUPERFICIAL CONCLUSIONS|SUPERFICIAL CONCLUSIONS]]"* is the sheet's own self-deflating caption, and the maze wires the warning in twice: this room's code is the title of the room before it (#89), itself opened by SURFACE PERCEPTIONS, so the full cosmology sits behind two consecutive cautions against shallow reading. This is the keystone of the set: a single document that lays out the planetary spine of [[Concepts/The Pattern]], seats [[Concepts/The Jaguar]] and [[The Mirror]] at the solar source-point, and draws the year's infinity over the last city. The whole cosmology on one page, and the page telling you not to trust it too fast. **Connects to →** [[Concepts/The Pattern]] · [[Concepts/The Jaguar]] · [[The Mirror]] · [[Concepts/The Labyrinth]] · [[Concepts/The Loop and the Circle]] · [[Kabbalah - The Tree of Life]] ### #74 · Horus (Eye-of-Horus fractions) · `WE ANTHROPOMORPHIZE EVERYTHING` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xfb6c762ec043c75c306cfce699139ff6c4fde2717094e78fc5fa22c39f2aa77c..jpg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xfb6c762ec043c75c306cfce699139ff6c4fde2717094e78fc5fa22c39f2aa77c..jpg" width="300"></a> Four additive examples pair eye-parts with fractions and culminate in a fuller Eye-of-Horus sign totalling 63/64. The four equations are visible here; the words *smell, sight, thought, hearing, taste,* and *touch* are not. Those labels come from the [[Artifacts - Gallery 3 (75-112)#88 · Complete Upload Recipe|Complete Upload Recipe]], where touch is explicitly the final 1/64 rather than the missing part. This crop is one region of the larger *How to Live Forever?* sheet, alongside Roy Strings, [[Artifacts - Gallery 3 (75-112)#112 · SATURN MAGIC|Saturn Magic]], and God NFT. It is also a different Horus object from the gold board-cell used by *Pay Me!*. The familiar account says the fractional signs were pieces of the wounded Eye and that Thoth restored the remainder. That received story is still the scheme Roy is using, but its mathematical pedigree is disputed: historian Jim Ritter traces the Eye-parts equation to a modern Egyptological hypothesis rather than an uncontested ancient system. The code *"WE ANTHROPOMORPHIZE EVERYTHING"* closely compresses Gareth Knight's wording about people anthropomorphizing even God. Put together, the room shows a divine eye reconstructed through human measures without pretending the reconstruction is the source. **Connects to →** [[The Watchers]] · [[Concepts/The Upload]] · [[Concepts/The Digital Double]] · [[Concepts/Witnessing vs Surveillance]] · [[Concepts/The Pattern]] ### #48 · Lambdoma (Platonic Lambda) · `REALITY IS THE CHILD OF ILLUSION` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xd722c486ba8a39b19cd81b4f5b5cac3b977934026d04ec6515e0f8d5ea6af4d9..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xd722c486ba8a39b19cd81b4f5b5cac3b977934026d04ec6515e0f8d5ea6af4d9..png" width="300"></a> This is number becoming music: `1`; `2, 3`; `4, 6, 9`; `8, 12, 18, 27`. Powers of two and three diverge down the sides, while every horizontal row holds them together in the ratio 3:2, the perfect fifth. Plato's *Timaeus* supplies the seven boundary quantities and fills their intervals with harmonic means; it does not draw this finished ten-node triangle. The image belongs to the later completed-Lambda tradition, and a full Lambdoma is a larger matrix of whole-number ratios. Those related objects should not be collapsed into one. The Hall gives the figure **three identities across two underlying drawings**: Lambdoma isolates the relational machine; KHAWAH places it among music, number, birth, and human essence; [[Artifacts - Gallery 3 (75-112)#93 · FORBIDDEN CITY|Forbidden City]] is a crop of the KHAWAH drawing that circles the inserted means and calls the figure *World Soul*. The inheritance is old, but the repetition and placement are Roy's. Down the page, unity becomes multiplicity; across it, divergence becomes harmony. The code *"REALITY IS THE CHILD OF ILLUSION"* may rhyme with Platonism, idealism, māyā, Gnosticism, or simulation language. Nothing in the code alone chooses one doctrine, so the older claim that it gives the diagram a specifically Gnostic meaning went further than the evidence. **Connects to →** [[Another Way II Heaven]] · [[Concepts/The Pattern]] · [[The Veil — The Deep End]] · [[Kabbalah - The Tree of Life]] ### #129 · Flaming Sword (the Lightning Flash) · `FLAMING SWORD` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x1ad56b416247b87eb875a0d780ee8e20deb6382df9d12e3487e8585317641671..jpg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x1ad56b416247b87eb875a0d780ee8e20deb6382df9d12e3487e8585317641671..jpg" width="300"></a> A zigzag connect-the-dots: a cross-glyph *"Start"* at top, a numbered path threading 2 to 9 in a lightning switchback, ending at *"End"* with a little recycle-loop, and the margin note *"9 checkpoints, 1 hidden, 1=10."* This is the Kabbalistic Lightning Flash, the descending path of emanation through the ten sephiroth (and the flaming sword of Genesis 3:24). The annotation decodes itself: nine visible nodes, one hidden (Da'at, on the Abyss) restoring the full ten, and the loop reading the whole descent as a cycle rather than a one-way drop. **Connects to →** [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] ### #18 · Tree Thinking · `TREE THINKING` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x8a9fe05bb3dbf271b4ab76f457b52a14dda44f3eb42edc5f4da3743febbe4bd9..jpg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x8a9fe05bb3dbf271b4ab76f457b52a14dda44f3eb42edc5f4da3743febbe4bd9..jpg" width="300"></a> At first glance it is a pyramid with ten numbers. It is stranger than that: ten numbered stations, an extra pillared chamber between 3 and 4, *"Abyss In"* at that upper interface, *"Abyss Out"* between 9 and 10, and 10 sitting on its own platform below. The lower platform is a base, not a keystone, and the drawing marks two thresholds rather than one generic Abyss. This leaf is a direct crop of the larger *GNOTHI SEAUTON* sheet, where it sits beside Sense Hierarchy; Wheels and Ashim are crops from that sheet too. William G. Gray's *The Ladder of Lights* uses the vocabulary of Tree-thinking, an upper Abyss, an inferior threshold, and key-symbols opening an associative inner system. That source does not prove Roy built the Hall from one passage, but it makes this little drawing feel less like decoration and more like an operating diagram. The match is closer than shared vocabulary: the title is Gray's own phrase, and the two labels sit exactly where Gray puts his two Abysses, the Great Abyss below the upper three (*Abyss In*) and the "Inferior Abyss" between Yesod and Malkuth (*Abyss Out*). The upper seam, between 3 and 4, is also where the board's animal column sets its one unnumbered creature, [[Hall of Mirrors/The Bestiary - The Vulture|the Vulture]], and where the emanation page (a copy of Crowley's *The Book of Lies*) draws its Abyss line: two inherited sources marking one seam, in Roy's arrangement. The whole maze may be Tree-thinking with doors — a strong reading, not an authorial claim or a license to force every room onto a sephirah. **Connects to →** [[Another Way II Heaven]] · [[Concepts/The Abyss]] · [[Hall of Mirrors/The Bestiary - The Vulture|The Vulture]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] ### #90 · Head of Atom ("A Head of Adam") · `ATOMS` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xed69f75291cbc5397364ff3b60d21f39c09bb4ddcb7ef9b23292f94b852c8683..jpg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xed69f75291cbc5397364ff3b60d21f39c09bb4ddcb7ef9b23292f94b852c8683..jpg" width="300"></a> Two octahedral ring-lattices above the caption *"A Head of Adam."* The title and the code *"ATOMS"* pun Adam against atom: these are the head of Adam Kadmon, the primordial cosmic Man of Kabbalah whose body is the arrangement of the sephiroth, drawn here as molecular cages. So the smallest unit of matter and the whole archetypal Man collapse into a single image, and the doubled lattice reads as two hemispheres of one head, the mirror motif blown up to cosmic scale. **Connects to →** [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Concepts/Keilim - The Breaking of the Vessels]] ### #29 · Suggestion of Apex · `SUGGESTION OF APEX` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x5d0e1e4a5a5d089ed56b0e86bea02e9a3c81f99d201403794224f4c5325aee4d..jpg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x5d0e1e4a5a5d089ed56b0e86bea02e9a3c81f99d201403794224f4c5325aee4d..jpg" width="300"></a> A truncated, flat-topped pyramid with a small radiant sun hovering above the missing peak, captioned *"suggestion of apex, though not actually in the form — 6 sides."* The geometry only points at a summit it never reaches; the sun stands in for a true peak that lives outside the shape, the eye-of-providence capstone floating separate. Copied straight from the board, it is a keystone for the "1=10, hidden crown" idea: the crown is never actually contained in the structure that gestures up at it. It reads as the counterpart of the crown's animal, Enoch the *imaginary* Swan: a crown suggested, not held. **Connects to →** [[Hall of Mirrors/The Bestiary - 1 The Swan (Enoch)|The Swan (bestiary page)]] · [[Superhuman]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] ### #72 · The "Unidentified" Sketch — the mindscape · `KEM` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x2da3b5d407a32ab61b91199bb55c7844f91e2b0a7f5c39bbd6227e233792b24d..jpeg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x2da3b5d407a32ab61b91199bb55c7844f91e2b0a7f5c39bbd6227e233792b24d..jpeg" width="320"></a> A pencil landscape drawn, it appears, on the back of a calendar page, the dates showing through from the other side: a giant head (this guide reads it as a jaguar's), mouth open, a dot in each ear, stands as the front door of a pyramid temple, with *"Inside of the inside"* written above it. A rung ladder runs straight up into the open mouth out of water labelled *"Sea of Mind,"* and a small figure stands at its top, at the lip. Three more pyramids rise off to the left, a four-house village sits in the foreground, and the door is flanked by a pair of jaguar-beings, one bearing a solid disc overhead and one a crescent: a doorway held between two lights, the same paired-pillar grammar as the J and B columns of THE [[Artifacts - Gallery 1 (1-37)#16 · THE EMPTY ROOM|EMPTY ROOM]] (#16). *(Corrected August 2026: this reading previously described "a giant face" that was "not a creature," with a ladder descending from its mouth. It is the creature, the project's own jaguar, and the way in runs through its mouth.)* The caption is not only The Circle's refrain; it is, word for word, the unlock code of room #10, the *Walking the Edge of a Knife* poem, so the drawing illustrates another room's key. Read beside the notebook's Noah page, it also reverses the Ark: animals enter a human-shaped vessel sideways through the flood, while here a human rises from the Sea of Mind and enters an animal-shaped temple through its mouth. The inverse passage is a strong comparison, not a claim that either drawing explains the other. The code `KEM` may invite Egypt or Kemet, but the three letters do not establish an etymology, and the old *al-khem-y* derivation is not reliable history. One debt stands: the calendar dates under the drawing have not yet been read. **Connects to →** [[The Circle]] · [[Concepts/The Jaguar]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] ### #11 · Roman Calculus · `9360` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe0e13d94ee1e14ef20ee89e165997c7e4ce15965c767c5b8079ac13ace454df4..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe0e13d94ee1e14ef20ee89e165997c7e4ce15965c767c5b8079ac13ace454df4..png" width="260"></a> A Roman abacus: vertical columns crossed by two bars, beads riding in upper and lower registers. Arithmetic as a physical, positional act, a number you move with your hands. And the beads are not set at random: counted by abacus convention (an upper bead is five, each lower bead one), the four columns spell **9 · 3 · 6 · 0**, the artifact displaying its own unlock code on its face, with the final zero drawn the only way an abacus can draw it, as an empty column. The number itself is built, not picked: 9360 = 26 × 360, and both factors are authored elsewhere in the work. 26 is the alphabet, and the YHWH-gematria Roy works out on the KHAWAH page (room 30, whose code is 26); 360 is the full circle; and the ARG's earlier desktop keeps a Trash file literally named *9360*, illustrated with a bust of Julius Caesar, that opens a Caesar-shift cipher tool. Roman abacus, Roman Caesar: 9360 divides cleanly by both 26 and 360, so in either system the complete operation returns to its starting position, the whole alphabet turned through the whole circle and back where it began. That return-to-origin geometry reads as the maze's quiet restatement of the question held at [[Concepts/The Loop and the Circle]]: a perfect return, with everything depending on whether anything is remembered on the way around. **Connects to →** [[Concepts/The Pattern]] · [[Concepts/The Loop and the Circle]] · [[Kabbalah - The Tree of Life]] ### #88 · Complete Upload Recipe · `INTERNAL GUIDE` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xeb355aac61d7bdff66349fed14458aff800433f0ff39aaf203c6c4a9a9558bb0..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xeb355aac61d7bdff66349fed14458aff800433f0ff39aaf203c6c4a9a9558bb0..png" width="300"></a> It calls itself an *"Upload Recipe,"* but the page is a vertical inventory rather than a sequence of instructions: sensory faculties, surface perceptions, brain cells, cellular ingredients, electromagnetism, emotions, ego, a *"Ra-link,"* awareness, language, sacrifice, love, will, fear, confidence, and compassion. The six fractions run from ½ smell to 1/64 touch and total 63/64. Touch is present. Whatever the remainder means, the page leaves it unnamed. The glyph line reads `߆ƒ`; it should not be silently normalized into a convenient word. This minted image is also the first-page witness of a longer five-page document, so later pages provide context without becoming pixels visible here. One of those later pages lists body phrases in the bestiary's *X of a Y* form, including one for the board's unnumbered [[Hall of Mirrors/The Bestiary - The Vulture|Vulture]], *Throat of a vulture*, which is a phrase and not a room code. Held against the gallery, the inventory behaves like an index. *"Surface perceptions"* is the exact code for #89; *"Ra-link"* participates in the [[Characters/Supporting Cast/SARAVI|SARAVI]] circuit; *"Ways of growing"* names a shelf; `C884` is a known key; and the exact trailing-space form of *"Catabolic system "* opens another room. Fear and Love also meet in `FEARLOVE`. The code *"INTERNAL GUIDE"* earns a literal sense: some ingredients are handles for the maze itself. Whether the sheet generated those keys or gathered them later depends on chronology that has not been established, so *index* is grounded and *master generator* remains a theory. **Connects to →** [[The Watchers]] · [[Concepts/The Upload]] · [[Concepts/The Digital Double]] · [[Concepts/The Pattern]] ## Illustrated myth ### #84 · David Star — "Where The World Was Crossed" · `TWISTED LADDER` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x37cd1eeaaf9f8bd4b8e21ee77773176d3e592551063d473f6a3c4f9cc763b39e..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x37cd1eeaaf9f8bd4b8e21ee77773176d3e592551063d473f6a3c4f9cc763b39e..png" width="320"></a> #### David Star: ascent and generations A watercolour of a pale sea-dragon with *Where The World Was Crossed* on an overlaid card. Its Prince dreams worlds; Kings and Queens become sparks hidden under shells, then remember, climb a ladder he twisted, make new constellation homes, and continue to guide generations. The code is `Twisted Ladder`. The sequence reads strongly through the breaking-of-the-vessels tradition: forgetting and enclosure give way to remembrance and renewed relationship. The ending matters because ascent does not make the sparks irrelevant to the world below. Their guidance continues. The DNA double helix and Jacob's ascent form a further, supported comparison, developed at [[Concepts/Inherited Substrate#Ascent and inheritance]]. That reading joins the poem's generations to Online's ladder/DNA placements and the father's-shoes haiku; it is not something the code alone proves. For [[Soul Is A Star]], the consequence is a living star that still carries a voice through loss. For [[The Circle]], it is remembrance of something suppression did not destroy. The first song transmits a verse, the second recovers a hidden song, and this poem sends its remembered sparks upward. Their operations rhyme without becoming identical. The poem also works as a dream or ancestral-guidance story without a DNA reference. **Connects to →** [[Soul Is A Star]] · [[The Circle]] · [[Concepts/Keilim - The Breaking of the Vessels]] · [[Kabbalah - The Tree of Life]] ## Portraits & personal ### #20 · 2014 Self Portrait · `DON'T BE A BLACK HOLE` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x42aca9f05cbbdc9c3bf764cabf65b56bca8959ef77dee0d1ad7a55012d2305d7..jpg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x42aca9f05cbbdc9c3bf764cabf65b56bca8959ef77dee0d1ad7a55012d2305d7..jpg" width="300"></a> A notebook self-portrait labelled *"ME,"* with a small cross-mark on the forehead (the third eye), a floating cross at left, a snake weeping from the right eye, and *"VALE(N)T DAY"* scrawled at lower right. The code *"DON'T BE A BLACK HOLE"* is a note-to-self: a black hole is a collapsed star that devours light instead of giving it off, the exact inverse of "your soul is a star." What makes the drawing quietly striking is the forehead cross, the same third-eye mark Roy later wears as Sir Lucius's face-paint. It is a pre-Lucius self-image, the shadow's iconography sitting on his own face years before the character has a name, and the weeping serpent already pointing at the Eden-serpent register Lucius grows into. **Connects to →** [[Good Time (1-08)]] · [[Sir Lucius]] · [[The Mirror]] · [[Concepts/The Dweller on the Threshold]] ## Text artifacts Cross-listed here because they were born in the drawing set: typed and handwritten pages that live with the sketches by origin. ### #10 · "Walking the Edge of a Knife" (poem) · `INSIDE OF THE INSIDE` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe858c547827aba7438709a166b469d26170394ba55ffbf865b0ebecea03f3c6a..png"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe858c547827aba7438709a166b469d26170394ba55ffbf865b0ebecea03f3c6a..png" width="300"></a> A hidden Roy poem (no released song by this text has been found), typeset over the Met's *Wreath on a Ground of Flowers, Birds, and Rabbits* (South Netherlandish, c. 1490–1550, accession 42.152.6), shown near-complete with its borders. The verse walks a knife-edge between *"I wana live / I wana die,"* addresses a feminine "you" three ways (*"my mistress / my wife / my witness"*), and closes *"Used to be simple… Now it's all symbols."* The code *"INSIDE OF THE INSIDE"* is, word for word, The Circle's central refrain, and the poem's *"turn back the stone / From the inside"* can be read as a stone rolled back from within, a resurrection by implication rather than statement: the Circle's inward turn made personal, and precarious. **Connects to →** [[The Circle]] · [[The Thread]] · [[Mary]] ### #59 · Thought Forms · `THOUGHT FORMS` <a href="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x8a936464fa52919815c00076e8546d7155141ee192aeb2f2b3d2078e334090ea..jpg"><img src="https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x8a936464fa52919815c00076e8546d7155141ee192aeb2f2b3d2078e334090ea..jpg" width="300"></a> A handwritten aphorism rather than a drawing: *"Thought-Forms / It is Man that anthropomorphises his gods. Images formed in mind."* The wording closely compresses Gareth Knight's *A Practical Guide to Qabalistic Symbolism*. In Knight's account Netzach supplies force and Hod gives that force picture-form. Besant and Leadbeater's similarly titled book is a title-resonance, not the identified source of these sentences. The subject is mediation: something becomes imaginable and communicable by taking form in the mind. The card does not say that every image is a lie or that people simply invent God. Read beside Roy's heart-and-mind material, form can carry feeling; danger begins when the carrier claims to be its source. *Imagine A World* performs both possibilities, inviting imagination and then showing how imposed labels and thoughts take hold. The Roy/Netzach and Lucius/Hod correspondence strengthens that reading, but it remains a reading rather than a statement of intent. **Connects to →** [[Imagine A World]] · [[Great Time to Be Human]] · [[Concepts/The Pattern]] · [[Concepts/The Upload]] ## Photos (keyed here by their code) Two photographs belong to the drawing set by their codes, even though they live in the Photos group: they are members of the bestiary's cosmic-anatomy cipher. - **#25 · Venus is a Dove** · `F316` — a high-contrast photograph of a single white dove mid-flight on black, the photographic realization of the *"Venus the Dove"* sketch (#79). The code is a spreadsheet cell coordinate. → [[Hall of Mirrors/The Bestiary - 7 The Dove (Venus)|The Dove (bestiary page)]] · [[Concepts/The Pattern]] · [[Mary]] - **#27 · Home at Sea** · `LEFT SHOULDER OF A DOLPHIN` — a childhood photograph of young Roy, six or seven, red coat and jeans, alone at a ferry rail; the dolphin's-shoulder member of the body-part cipher: dolphin rung 4, left shoulder station 7, the pair that makes eleven, the boy at sea filed onto the shoulder of the soul-animal that crosses the waters, and one of a pair of sea-child photographs in the maze (#31 holds the other). → [[Hall of Mirrors/The Bestiary - 4 The Dolphin (Jupiter)|The Dolphin (bestiary page)]] · [[Concepts/The Pattern]] · [[Subject to Flooding]] ## Read next - [[Artifacts]] — the hub, and the rest of the artifact groups. - [[Hall of Mirrors]] — the ARG these objects were unlocked from. - [[Hall of Mirrors/The I'm 33 Board]] — the cosmology board so many of these images are pieces of. - [[Hall of Mirrors/The Bestiary]]: the ten animals, a page each, and the unnumbered Vulture.