# Artifacts — Gallery 4 (#113–149) The Hall of Mirrors artifacts #113–149, in the order they were unlocked in the maze. Card color marks the artifact's type (see the key); the title opens its room, and **More →** jumps to the full reading below. *(Room deep-links are pending a live browser check.)* <div class="legend"><b>Type</b><span><i style="background:#1f6f78"></i>Ciphers &amp; Code</span><span><i style="background:#d4a63a"></i>Concept Images</span><span><i style="background:#8b1e2d"></i>Family &amp; Friends</span><span><i style="background:#f2e3c6"></i>Drawings</span><span><i style="background:#fff"></i>Poems &amp; Texts</span><span><i style="background:#1b1b1e;border-color:#d4a63a"></i>Songs &amp; Demos</span></div> | Name | Image | Code | Found by | Connects | Read | · | |---|---|---|---|---|---|---| | **[#117 · ATTENTION'S GATE](https://mirrors.jagwartwin.com/rooms/0x15bfeefff0dd75eea8dcb5fdc19f75e3b7beab4e5664d418fecd2954722ca59d)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x15bfeefff0dd75eea8dcb5fdc19f75e3b7beab4e5664d418fecd2954722ca59d..jpg) | `AHEAD OF STARDUST` | IVABETH.ETH | [[The Veil — The Deep End]] · [[Concepts/Source vs Reflection]] · [[Pay Attention (feat. little luna)]] · [[Roy]] | A three-line tweet reframing attention as the gate through which the invisible world is entered. | [[#117 · ATTENTION'S GATE\|More →]] | | **[#118 · PREVIOUS FACE](https://mirrors.jagwartwin.com/rooms/0x349112c5088983866c49517cac2f743ff1248d45b5c6f5d62fce0591f8917b16)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x349112c5088983866c49517cac2f743ff1248d45b5c6f5d62fce0591f8917b16..jpg) | `I AM THE INTERNET` | @AITE-LYDS | [[Concepts/The Upload]] · [[Concepts/The Algorithm]] · [[Concepts/The Digital Double]] · [[Roy]] | A half-melted cobalt face fossilized in concrete, the flesh self left behind as the self goes network. | [[#118 · PREVIOUS FACE\|More →]] | | **[#119 · HOPSCOTCH](https://mirrors.jagwartwin.com/rooms/0xaf95179d663989bcaa6bb8542d4bd71866cc1690dcfd2115d5168a81324ab7e4)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xaf95179d663989bcaa6bb8542d4bd71866cc1690dcfd2115d5168a81324ab7e4..jpg) | `THE GAME IS TO REVEAL THE GAME` | IVABETH.ETH | [[Concepts/The Pattern]] · [[The Circle]] · [[Roy]] | The Hall's mission statement as a tweet, the winning move being exposure of the game itself. | [[#119 · HOPSCOTCH\|More →]] | | **[#120 · FIBONACCI RABBITS](https://mirrors.jagwartwin.com/rooms/0x4c53b282a01a9469e203dd68bfc3d8d1a2de102960877395436052b23ceb5b12)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x4c53b282a01a9469e203dd68bfc3d8d1a2de102960877395436052b23ceb5b12..jpg) | `THE GRASSY KNOLLS` | COOPAHTROOPA.ETH | [[Concepts/The Pattern]] · [[Roy]] | The rabbit-breeding sequence drawn as a family tree, growth heard in the key of F. | [[#120 · FIBONACCI RABBITS\|More →]] | | **[#121 · WHEELS](https://mirrors.jagwartwin.com/rooms/0x53d191a03cbbb914ec3f6bb0e23d7b409c49e6990c897546f20b3cb6bef32d0a)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x53d191a03cbbb914ec3f6bb0e23d7b409c49e6990c897546f20b3cb6bef32d0a..jpg) | `THERE ARE THINGS BEHIND THINGS` | @KOLEEONI | [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Roy]] | The Kabbalistic veils of negative existence, each manifest ring concealing a subtler one behind it. | [[#121 · WHEELS\|More →]] | | **[#122 · THE HOUSE CHANGES TO WATER](https://mirrors.jagwartwin.com/rooms/0xf6023f2878eb5f6028d3c879b9fe84215ed2df707c4603a22d92dd5e7e17790f)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xf6023f2878eb5f6028d3c879b9fe84215ed2df707c4603a22d92dd5e7e17790f..jpg) | `V222` | 0XD0AC…393E | [[The Circle]] · [[Roy]] | A couple's photo pendant on aged barnwood, an heirloom made a meditation on impermanence. | [[#122 · THE HOUSE CHANGES TO WATER\|More →]] | | **[#123 · ANOTHER LIFE](https://mirrors.jagwartwin.com/rooms/0xe6b2e437a9226d8878cc76d35b1801cdd7290890eabeff0dd5df35d4fea75095)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe6b2e437a9226d8878cc76d35b1801cdd7290890eabeff0dd5df35d4fea75095..jpg) | `W1039` | 0XD0AC…393E | [[Concepts/The Pattern]] · [[Roy]] | A long-exposure smear turns Roy and a girl into ghost-trails, a soul passing through one life. | [[#123 · ANOTHER LIFE\|More →]] | | **[#124 · ASHIM](https://mirrors.jagwartwin.com/rooms/0xaeac4d9c7b5c0719e0c55cf6d9d3d5cf2862771d726f13e6ba39bd4207d84955)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xaeac4d9c7b5c0719e0c55cf6d9d3d5cf2862771d726f13e6ba39bd4207d84955..jpg) | `WHO AM I TO KNOW?` | TEMPLEMIND.ETH | [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Roy]] | A note pairing the lowest angels with the consciousness of an atom, being-alive as a spectrum. | [[#124 · ASHIM\|More →]] | | **[#125 · THE SERPENT MUST TAKE FLIGHT](https://mirrors.jagwartwin.com/rooms/0xfba584b226f83d7a734d58494875652f3179c776feab05907958323558285499)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xfba584b226f83d7a734d58494875652f3179c776feab05907958323558285499..jpg) | `THE MONKEY MUST BECOME THE BIRD` | IVABETH.ETH | [[Concepts/The Upload]] · [[Superhuman]] · [[Kabbalah - The Tree of Life]] · [[Roy]] | A third-eye, fanged head over mirrored roses, kundalini ascent and the drive beyond the human. | [[#125 · THE SERPENT MUST TAKE FLIGHT\|More →]] | | **[#126 · A BRIDGE BETWEEN WORLDS](https://mirrors.jagwartwin.com/rooms/0xd4de6de71e72850f2397a3c4027173534058ab59f5cf166692d03824379022bd)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xd4de6de71e72850f2397a3c4027173534058ab59f5cf166692d03824379022bd..jpg) | `B1030` | @AITE-LYDS | [[Hall of Mirrors]] · [[Concepts/The Pattern]] · [[Roy]] · [[Kabbalah - The Tree of Life]] | A WWI rainbow-ribbon Victory Medal, a token carried across the threshold of life and death. | [[#126 · A BRIDGE BETWEEN WORLDS\|More →]] | | **[#127 · FLOOD ARTIFACT (˜ƒƒ)](https://mirrors.jagwartwin.com/rooms/0x37ec17d04fba44399f1ffde1938e6e21c13b7e9e86499e428c1a105251723692)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x37ec17d04fba44399f1ffde1938e6e21c13b7e9e86499e428c1a105251723692..jpg) | `霊的な愛` | IVABETH.ETH | [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] | Turquoise vapor, mirror-reversed VHS text, and a weeping-eye sigil, spiritual love while submerged. | [[#127 · FLOOD ARTIFACT (˜ƒƒ)\|More →]] | | **[#128 · ROY HBD](https://mirrors.jagwartwin.com/rooms/0x9c1ad6a3568d41d17baf239c6307f65b881be20272c50e5d826d95560a1c7d91)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x9c1ad6a3568d41d17baf239c6307f65b881be20272c50e5d826d95560a1c7d91..jpg) | `HBD` | 0XD0AC…393E | [[Hall of Mirrors]] · [[Roy]] · [[The Circle]] · [[Concepts/The Pattern]] | A childlike birthday sketch stamping Roy's own rebirth-date into the maze's running clock. | [[#128 · ROY HBD\|More →]] | | **[#129 · Flaming Sword (the Lightning Flash)](https://mirrors.jagwartwin.com/rooms/0x1ad56b416247b87eb875a0d780ee8e20deb6382df9d12e3487e8585317641671)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x1ad56b416247b87eb875a0d780ee8e20deb6382df9d12e3487e8585317641671..jpg) | `FLAMING SWORD` | 0XD0AC…393E | [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] | A connect-the-dots Lightning Flash, the descending path of emanation with one hidden node restoring the ten. | [[#129 · Flaming Sword (the Lightning Flash)\|More →]] | | **[#130 · INCOMING TEXT (JB)](https://mirrors.jagwartwin.com/rooms/0x34a355ff8ae82b2500b8837fd908336edc9f7a13d2d52edefa906504bbce0a8d)**<span class="t-poems artchip">Poem / Text</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x34a355ff8ae82b2500b8837fd908336edc9f7a13d2d52edefa906504bbce0a8d..jpeg) | `F876` | @AITE-LYDS | [[Concepts/The Dweller on the Threshold]] · [[LOOP]] · [[Hall of Mirrors]] · [[Roy]] | A mundane "Here / At the gate" text lifted into the mythology of crossing a threshold. | [[#130 · INCOMING TEXT (JB)\|More →]] | | **[#131 · FLOOD ARTIFACT (©øø∂∂å†)](https://mirrors.jagwartwin.com/rooms/0xe272c56be16381b013d18504b5526ad748c15a224f1309020eb0bc7af5058d10)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe272c56be16381b013d18504b5526ad748c15a224f1309020eb0bc7af5058d10..jpg) | `LET GO` | 0XD0AC…393E | [[Subject to Flooding]] · [[Concepts/Source vs Reflection]] · [[Roy]] | Pink ink resolves into Roy's blurred face, a self diffusing into water, ego surrendered. | [[#131 · FLOOD ARTIFACT (©øø∂∂å†)\|More →]] | | **[#132 · ROY'S LADDER](https://mirrors.jagwartwin.com/rooms/0x4ccf3a893bc85a47b0f0f7fa643c87f2ff794f6afdccb15763373f3e76291373)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x4ccf3a893bc85a47b0f0f7fa643c87f2ff794f6afdccb15763373f3e76291373..jpg) | `C33` | IVABETH.ETH | [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] · [[Concepts/Jacob and Esau]] · [[Roy]] | A framed family photo whose fold-out easel becomes the Hall's ladder of ascent, keyed to 33. | [[#132 · ROY'S LADDER\|More →]] | | **[#133 · FLOOD ARTIFACT (R100)](https://mirrors.jagwartwin.com/rooms/0x2210d9bc6c4b092058df3858115fa67cdf9a7c2e6ca12b81b54c0ef915d2dd2d)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x2210d9bc6c4b092058df3858115fa67cdf9a7c2e6ca12b81b54c0ef915d2dd2d..jpg) | `∆∑†` | @AITE-LYDS | [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] | Roy's face surfaces beneath water, then dissolves into the Subject to Flooding album cover. | [[#133 · FLOOD ARTIFACT (R100)\|More →]] | | **[#134 · FLOOD ARTIFACT (ƒˆß˙)](https://mirrors.jagwartwin.com/rooms/0x75cdc398d93f1094a0b525c1e878e4272be572376372d6e7e20b89e71211a214)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x75cdc398d93f1094a0b525c1e878e4272be572376372d6e7e20b89e71211a214..jpg) | `R100` | @AITE-LYDS | [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] | A defocused crimson form drifting into pure aquatic blue, a node in the self-referential chain. | [[#134 · FLOOD ARTIFACT (ƒˆß˙)\|More →]] | | **[#135 · FLOOD ARTIFACT (µø√´†ø¥ø¨)](https://mirrors.jagwartwin.com/rooms/0xa451e171f126107b23002d7375236c7b294d0ea50f3388827b66e824c08c8abb)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xa451e171f126107b23002d7375236c7b294d0ea50f3388827b66e824c08c8abb..jpg) | `¬ø©øß` | @AITE-LYDS | [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] | A dissolving horizon and an eye-in-a-ring sigil, orientation sought inside the deluge. | [[#135 · FLOOD ARTIFACT (µø√´†ø¥ø¨)\|More →]] | | **[#136 · HOUSE OF SPELLS (CUZ_IDEA)](https://mirrors.jagwartwin.com/rooms/0x795c4fa46fea4f5ee0765c3433124b1e4dddc4f5340ebdace1d2bcf46f22c7a0)**<span class="t-songs artchip">Song / Demo</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x795c4fa46fea4f5ee0765c3433124b1e4dddc4f5340ebdace1d2bcf46f22c7a0..mp3) | `HOUSE OF SPELLS` | @AITE-LYDS | [[Hall of Mirrors]] · [[Roy]] · [[Concepts/The Upload]] | A self-keyed working-title sketch, a raw idea kept safe in Roy's concealed drawer. | [[#136 · HOUSE OF SPELLS (CUZ_IDEA)\|More →]] | | **[#137 · FLOOD ARTIFACT (∂®´åµ)](https://mirrors.jagwartwin.com/rooms/0x044bcfedadb9d46f73e378b7fbc9b2929fcdc07c066f32cc0b796077404fffff)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x044bcfedadb9d46f73e378b7fbc9b2929fcdc07c066f32cc0b796077404fffff..jpg) | `©øø∂∂å†` | 0XD0AC…393E | [[Subject to Flooding]] · [[The Circle]] · [[Roy]] | Degraded Capitol-dome footage resolving on a slotted-eye glyph, a drowned archive beneath the debut. | [[#137 · FLOOD ARTIFACT (∂®´åµ)\|More →]] | | **[#138 · FLOOD ARTIFACT (∆∑†)](https://mirrors.jagwartwin.com/rooms/0x4333b59b12ff54b6f554e0b4046d8402d93bcee36e978e4abee6b00bc9eb3e00)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x4333b59b12ff54b6f554e0b4046d8402d93bcee36e978e4abee6b00bc9eb3e00..jpg) | `ƒˆß˙` | @AITE-LYDS | [[Subject to Flooding]] · [[Concepts/The Upload]] · [[Concepts/The Pattern]] · [[Roy]] | Blue to flesh to eye, the cipher is a keyring not a message, staging submersion and orientation. | [[#138 · FLOOD ARTIFACT (∆∑†)\|More →]] | | **[#139 · FLOOD ARTIFACT (H101)](https://mirrors.jagwartwin.com/rooms/0x633a9bb738a406428004485e0fd436116891a7d032b8da62d2d213fcf89f9228)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x633a9bb738a406428004485e0fd436116891a7d032b8da62d2d213fcf89f9228..jpg) | `∂®´åµ` | 0XD0AC…393E | [[Subject to Flooding]] · [[Concepts/Flattened Identity]] · [[Roy]] | Dozens of identical smiley potato snacks bobbing underwater, the flood as mass Flattened Identity. | [[#139 · FLOOD ARTIFACT (H101)\|More →]] | | **[#140 · FLOOD ARTIFACT (Vi†ruvian)](https://mirrors.jagwartwin.com/rooms/0x9e5b4250d55cd736239e65a4be961a234258f6ad8425dc97c0fc38851c630c0d)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x9e5b4250d55cd736239e65a4be961a234258f6ad8425dc97c0fc38851c630c0d..jpg) | `H101` | 0XD0AC…393E | [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] | Underwater childhood snapshots re-measured against Leonardo's ideal proportion man, a drowned self resurfacing. | [[#140 · FLOOD ARTIFACT (Vi†ruvian)\|More →]] | | **[#141 · FLOOD ARTIFACT (˙´¬¬)](https://mirrors.jagwartwin.com/rooms/0x9657389ae0e8345046afcfc15d3bc2179bdf70cb0294b54dfb3633999e638f0d)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x9657389ae0e8345046afcfc15d3bc2179bdf70cb0294b54dfb3633999e638f0d..jpg) | `Vi†ruvian` | @AITE-LYDS | [[Hell Of A Night]] · [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] | Casino jackpot imagery over family footage, the flood you try to outrun by keeping the party moving. | [[#141 · FLOOD ARTIFACT (˙´¬¬)\|More →]] | | **[#142 · DOWN TO YOU](https://mirrors.jagwartwin.com/rooms/0xb76708129c2cce34f6eb3c4e9469a9ca7eb0090e0d64ffc1cdb694ba4f720061)**<span class="t-songs artchip">Song / Demo</span> | [](https://plumcreekranch.com/jagwar/artifacts/138.png) | `WHAT IS IT THAT YOU SEEK?` | CTHDRL.ETH | [[Down to You]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] · [[The Circle]] · [[Roy]] | A wireframe figure lit from within at the galaxy's center, divinity located in the self. | [[#142 · DOWN TO YOU\|More →]] | | **[#143 · ANOTHER WAY II HEAVEN](https://mirrors.jagwartwin.com/rooms/0x51f28bfcfda3b51406f62a37563c55c183d19edf4b4bc914535fb7f3f939932c)**<span class="t-songs artchip">Song / Demo</span> | [](https://plumcreekranch.com/jagwar/artifacts/139.png) | `GENESIS TREE CODE` | CTHDRL.ETH | [[Another Way II Heaven]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] · [[The Circle]] | A dissolving mesh head literalizes the One splitting into Two to finally see itself. | [[#143 · ANOTHER WAY II HEAVEN\|More →]] | | **[#144 · IMAGINE A WORLD](https://mirrors.jagwartwin.com/rooms/0xf49a9d959a1f5ba49fc8d8f4ee38f459ef0bdd9b67c7117bfbe5b5263fbeda2f)**<span class="t-songs artchip">Song / Demo</span> | [](https://plumcreekranch.com/jagwar/artifacts/140.png) | `IMAGINE A WORLD` | CTHDRL.ETH | [[Imagine A World]] · [[Kabbalah - The Tree of Life]] · [[Concepts/The Upload]] · [[Roy]] | A half-formed membrane over raw desert, a world caught mid-conception out of formless matter. | [[#144 · IMAGINE A WORLD\|More →]] | | **[#145 · THE CIRCLE](https://mirrors.jagwartwin.com/rooms/0xac9f2eb2401875e22837d494811b38df27d81045fb7d66466e68768f781ef4d5)**<span class="t-songs artchip">Song / Demo</span> | [](https://plumcreekranch.com/jagwar/artifacts/141.png) | `THE GREAT JAGWAR` | CTHDRL.ETH | [[The Circle]] · [[Concepts/The Pattern]] · [[The Thread]] · [[Roy]] | The album logo in vector lines over frozen waste, the maker who hides the song and withdraws. | [[#145 · THE CIRCLE\|More →]] | | **[#146 · LOGOS (RATIO)](https://mirrors.jagwartwin.com/rooms/0x764dca779c8de0d4e80a6508e91cf28577d0eac16dd7b0b2f0094d359d311ba5)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x764dca779c8de0d4e80a6508e91cf28577d0eac16dd7b0b2f0094d359d311ba5..jpg) | `ELEPHANT TORTISE EAGLE ATLAS` | @ALICIAROSE | [[Concepts/The Pattern]] · [[The Circle]] · [[Kabbalah - The Tree of Life]] · [[Roy]] | Four mythic world-bearers around an axis mundi, cosmic order drawn as a load-bearing structure. | [[#146 · LOGOS (RATIO)\|More →]] | | **[#147 · CAN'T LIE (EARLY ROY)](https://mirrors.jagwartwin.com/rooms/0x0c6ed09f7d445d49d30bd1f72b9359685f26bb7e3a2a60c596f4096539c41fa1)**<span class="t-songs artchip">Song / Demo</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x0c6ed09f7d445d49d30bd1f72b9359685f26bb7e3a2a60c596f4096539c41fa1..jpg) | `CAN'T LIE` | @AITE-LYDS | [[Hall of Mirrors]] · [[Concepts/The Pattern]] · [[Roy]] | Phone footage of a packed pre-Jagwar-Twin show, a former self folded into the archive. | [[#147 · CAN'T LIE (EARLY ROY)\|More →]] | | **[#148 · MATT AND ROY LOSER](https://mirrors.jagwartwin.com/rooms/0xc6cc8ef0843b3a6adb49cd716db07be49c4390b8a62cedd72d7726edf11e214c)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xc6cc8ef0843b3a6adb49cd716db07be49c4390b8a62cedd72d7726edf11e214c..jpg) | `LINUS PAULING` | @WHOISBRITTANEY | [[Loser]] · [[Hall of Mirrors]] · [[Roy]] · [[Subject to Flooding]] | A red-light coincidence where "Loser" plays on the radio, its co-writer punned into the code. | [[#148 · MATT AND ROY LOSER\|More →]] | | **[#149 · COOL MEXICO](https://mirrors.jagwartwin.com/rooms/0x49570b1b95349619273b287c050ad426b34043be96ba6eb7bcdeb6aaada586a2)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x49570b1b95349619273b287c050ad426b34043be96ba6eb7bcdeb6aaada586a2..jpg) | `YOU KNOW I LOVE YOU THE MOST` | IVABETH.ETH | [[Loser]] · [[Hall of Mirrors]] · [[Roy]] · [[Concepts/The Pattern]] | A huge Mexico crowd chants a "Loser" lyric back, the audience the project keeps turning toward. | [[#149 · COOL MEXICO\|More →]] | | **[#150 · GENESIS UNDERGROUND](https://mirrors.jagwartwin.com/rooms/0x29e20f37cec6b1851514ae4870701eb4aa91aa9fff072d0e2866b9991a8cba6d)**<span class="t-songs artchip">Song / Demo</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x29e20f37cec6b1851514ae4870701eb4aa91aa9fff072d0e2866b9991a8cba6d..jpg) | `DON'T BE FOOLED BY THE INTERNET` | @TOYAHANN_ | [[Concepts/The Upload]] · [[Concepts/The Algorithm]] · [[Concepts/The Aquarium]] · [[Hall of Mirrors]] · [[Sir Lucius]] | A decaying scan of Roy's own head, a self-portrait as flawed data you shouldn't trust. | [[#150 · GENESIS UNDERGROUND\|More →]] | | **[#151 · GRANDFATHER'S PLANE](https://mirrors.jagwartwin.com/rooms/0x7548d2b11013fdb9d727c8dcb9de441a431452dfed23506bd3ef3eb25c5322a9)**<span class="t-family artchip">Family</span> | [](https://plumcreekranch.com/jagwar/artifacts/147.png) | `HEIMDALL` | @TOYAHANN_ | [[Hall of Mirrors]] · [[Roy]] · [[Concepts/The Pattern]] · [[The Watchers]] | A grandfather's WWII biplane scanned into the maze, the ancestor lifted into the gate-watcher. | [[#151 · GRANDFATHER'S PLANE\|More →]] | | **[#152 · WILLIAM RUDOLPH 1941](https://mirrors.jagwartwin.com/rooms/0xcb53285b0d93959fe2b39d776c53c3ac62f51d590c6169c94a63eeb4e0302d5e)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xcb53285b0d93959fe2b39d776c53c3ac62f51d590c6169c94a63eeb4e0302d5e..jpg) | `1941` | @TOYAHANN_ | [[Hall of Mirrors]] · [[Concepts/The Pattern]] · [[Roy]] | A 1941 graduation fob, a heritage heirloom with a name-and-date puzzle attached. | [[#152 · WILLIAM RUDOLPH 1941\|More →]] | | **[#153 · FAMILY PORTRAIT](https://mirrors.jagwartwin.com/rooms/0x8fdf93e7aed449f3856db7d293024dd49fb4d51493ad5d4120edbd45744a8cb1)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x8fdf93e7aed449f3856db7d293024dd49fb4d51493ad5d4120edbd45744a8cb1..jpg) | `REBIRTH` | 0X86EA…634F | [[Hall of Mirrors]] · [[Roy]] · [[The Circle]] · [[Concepts/Nigredo]] · [[Concepts/The Upload]] · [[Concepts/The Pattern]] | A 1941 heirloom medallion scanned into permanence, the ancestor reborn as a rotating relic. | [[#153 · FAMILY PORTRAIT\|More →]] | ## Full readings ### 117 · ATTENTION'S GATE A screenshot of a @JagwarTwin tweet (11/22/21), three aphoristic lines each sealed with an emoji: *"Ahead of stardust 🧠 / A sky carrying water ❄️ / Invisible world 👁"* (brain, snowflake, eye). The room title reframes the aphorism as a threshold: attention is the gate through which the invisible world is entered, the eye emoji its keyhole. The tweet condenses Roy's mind-before-matter cosmology — the brain sits *"ahead of"* stardust, i.e. consciousness precedes the star-stuff it inhabits — posted in the same weekend run as *"Words created everything we see, but everything we see began with a thought."* A compressed creation doctrine: mind, then medium, then the unseen world behind the seen. It belongs to the maze's Attention cluster alongside *Hello, Attention (Marduk).* **Connects to →** [[The Veil — The Deep End]] · [[Concepts/Source vs Reflection]] · [[Pay Attention (feat. little luna)]] · [[Roy]] ### 118 · PREVIOUS FACE A short turntable scan floating on black: a glossy cobalt-blue sculpted human face, weathered and half-melted, an eroded hole at the cheek, affixed to an irregular slab of pale concrete with a small green sprig growing below it, the fragment slowly rotating like a museum relic. The title reads the object literally: a *"previous face"* is a cast-off former self preserved as archaeology, the discarded persona fossilized in concrete while new growth starts beside it (a Zen-koan resonance: *"your original face"*). The code *"I AM THE INTERNET"* is a seeded clue Roy tweeted from @JagwarTwin months earlier, the first-person completion of the board's title bar, *"Uploading my consciousness to the Internet."* Face and code together stage the Upload's bargain: the flesh face left behind as a relic, the self reborn as network. **Connects to →** [[Concepts/The Upload]] · [[Concepts/The Algorithm]] · [[Concepts/The Digital Double]] · [[Roy]] ### 119 · HOPSCOTCH A clean screenshot of a verified @JagwarTwin tweet (11/19/21, 33-rollout era), reading *"The Game is to reveal the Game";* the code is the tweet's own text, so the room enacts its aphorism — the artifact reveals the game that unlocks it. The line is the closest thing the Hall of Mirrors has to a mission statement, framing the whole ARG (and Roy's attention-critique generally) as a game whose winning move is *exposure* of the game rather than escape from it. The title *"HOPSCOTCH"* casts that meta-game as a children's sidewalk game, hopping square to square (room to room) toward the end-square — the traditional court's Earth-to-Heaven ladder hovering behind it. **Connects to →** [[Concepts/The Pattern]] · [[The Circle]] · [[Roy]] ### 120 · FIBONACCI RABBITS A hand-drawn dendrogram of the classic *Liber Abaci* rabbit-breeding problem: pairs of rabbits branch downward through generations, the running totals 1, 1, 2, 3, 5, 8, 13 down the margin, captioned *"Rabbits in the key of 'F'"* — a pun collapsing F-for-Fibonacci into a musical key, mathematical growth *heard* as music. It is one of the board's sketches, filed there under the Hermetic Correspondence principle: *"The formula is the same from a solar system down to the atom… The Pattern is present on all levels."* The code *"THE GRASSY KNOLLS"* names the rabbits' habitat, with a winking plural of conspiracy-culture's *"grassy knoll."* The Pattern rendered at its most literal: one becomes two becomes many by a single repeating rule, nature's generative recursion drawn as a family tree. **Connects to →** [[Concepts/The Pattern]] · [[Roy]] ### 121 · WHEELS A cosmology sketch: a fibrous sphere girdled by three orbital rings, each labeled with a Kabbalistic *"veil of negative existence"* — *"Ring Pass-Not (AIN SOPH AUR)"* (the Limitless Light), *"Ring Chaos (AIN SOPH)"* (the Limitless), *"Ring Cosmos"* — with an upward arrow rising off a horizon at right. This reproduces the *"Kabbalah veils"* diagram on Roy's board (*"Ring Pass-Not / Ring Chaos (Ain Soph) / Ring Cosmos (Ain)"*), the same Three Veils Roy curated publicly in his 2020 *"Purpose = Form"* post. The code *"THERE ARE THINGS BEHIND THINGS"* is the diagram's thesis stated plainly: every manifest ring conceals a subtler, more limitless one behind it, and behind even the Limitless Light is Ain, no-thing — the recursion that drives the whole Hall of Mirrors. The rising arrow reads as the ascent back up through the veils toward the crown. **Connects to →** [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Roy]] ### 122 · THE HOUSE CHANGES TO WATER A short looping scan of a real object rotating against black: a weathered grey barn-wood surface with a small circular photo pendant, encased in glass/resin and hung by string, showing a young couple in close embrace — a bespectacled man and a smiling woman in a personal, decades-old snapshot. It sits in the family/keepsake cluster (alongside *Grandma VI's Cow, Grandfather Masks,* *Matt and Roy*), so its weight is biographical rather than esoteric: a memento of kin and love-across-time hung on aged wood. The title *"THE HOUSE CHANGES TO WATER"* reframes that keepsake as a meditation on impermanence, the fixed structure of home and family dissolving into flux — an heirloom made navigable, memory literally turned into an object you can turn over and look behind. **Connects to →** [[The Circle]] · [[Roy]] ### 123 · ANOTHER LIFE A heavily motion-blurred night-flash snapshot: a blond man (Roy) in a black hoodie with his arm around a young girl, both smiling, red cups and string lights streaking behind them in the dark. The extreme long-exposure smear turns the faces into ghost-trails, which is why the piece is filed *PHANTOMS* and titled *"ANOTHER LIFE"* — the blur literally renders the subjects as phantoms, and the title reads the ordinary human moment as a glimpse of a soul passing through one incarnation among many. Biographically a personal candid (Roy with what appears to be family), pulled into the maze as a *"phantom"* rather than a designed diagram or lyric card. **Connects to →** [[Concepts/The Pattern]] · [[Roy]] ### 124 · ASHIM A handwritten note in Roy's hand: *"Ashim / Consciousness of an Atom"* above *"Degrees of Being alive."* — a raw cosmological jotting. *"Ashim"* (Ishim, אישים, *"the flames / godly-souls"* or *"the manlike beings"*) is the lowest rank of angels in Kabbalah's Assiah-world hierarchy, closest to matter and humanity, which pairs pointedly with *"consciousness of an atom":* the note proposes that awareness scales down to the smallest unit of matter, and that being-alive is a graduated spectrum rather than a binary. It slots into the panpsychist through-line — soul as a universal, subdivisible property running from atom to angel — and the code *"WHO AM I TO KNOW?"* frames it as humble metaphysical speculation, the artist disclaiming authority over the very cosmology he is sketching. **Connects to →** [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Roy]] ### 125 · THE SERPENT MUST TAKE FLIGHT A white line-drawn bald head over a mirror-doubled bed of roses (dark reds, oranges, purples). The face is serene and closed-eyed but bears an open third eye on the forehead and two protruding fangs at the mouth (the *"serpent"* / animal nature), and below the throat a symmetrical lotus/petal mandala reads as awakened lungs or a heart-chakra bloom. Both the title *"THE SERPENT MUST TAKE FLIGHT"* and the code *"THE MONKEY MUST BECOME THE BIRD"* encode the same idea — kundalini ascent and evolutionary self-transcendence: the coiled serpent (base energy) rising to the crown and opening the eye of vision, the *"monkey"* (restless lower self) transforming into the *"bird"* (flight, spirit, freedom). It dramatizes this guide's core human-to-superhuman tension: the drive to go beyond the merely human that runs through Roy's cosmology. **Connects to →** [[Concepts/The Upload]] · [[Superhuman]] · [[Kabbalah - The Tree of Life]] · [[Roy]] ### 126 · A BRIDGE BETWEEN WORLDS A three-second looping scan of a genuine WWI Victory Medal: a bronze winged figure of Victory hanging from the distinctive double-rainbow moiré ribbon that earned it the "rainbow medal" nickname, a battle clasp at the top, laid on a rough-cut board and rotating against black. Its cell-coordinate index is B1030; the meaning-laden phrase is "A BRIDGE BETWEEN WORLDS," which names the medal's double register perfectly. A war medal is a token carried across the threshold of life and death, and the rainbow was the classical bridge (Bifrost, the arc of Iris) joining the mortal and divine worlds, so the connection realm and the death-and-rebirth spine of the maze meet in a single heirloom. It reads as another turn of Roy's recurring matrilineal-memory layer rather than pure esoterica. **Connects to →** [[Hall of Mirrors]] · [[Concepts/The Pattern]] · [[Roy]] · [[Kabbalah - The Tree of Life]] ### 127 · FLOOD ARTIFACT (˜ƒƒ) A ~16-second piece in three movements: first a churning wall of electric turquoise vapor lit from within, the literal *"flood"* as a rising luminous tide; then heavily degraded VHS footage, scanlines and *mirror-reversed* on-screen text (you can make out *"THE COLOR"* and *"BLACK & WHITE"*) with a phantom image bleeding through; and finally a hand-inked sigil on mint-green paper, a ringed circle around a bisected *"eye/cell"* glyph, flanked by falling teardrops and ringed by radiating dots, reading as a sun, a monstrance, or a weeping eye. The code **霊的な愛** is Japanese for *"spiritual love,"* and this is one of the twelve backward-threaded Flood Artifacts, in which each card's code is the *previous* card's Mac Option-glyph title. It belongs to the *Subject to Flooding* album-world the whole series is named for: flood, tears, *"spiritual love"* as the emotional register of being submerged. **Connects to →** [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] ### 128 · ROY HBD A loose, childlike ink sketch: a connect-the-dots line rising to a spiraled orbital node (a scribbled ringed planet or a small web at the peak), with "Happy Birthday to You" hand-lettered in Roy's signature style, each word prefixed by a little bullet-dot, the same punctuation-as-breath habit that runs through his maze scrawls. The code HBD is birthday shorthand, and August 21 is Roy's own birthday, which makes this a self-directed birthday piece rather than a wish to someone else. It is filed in the INFINITY realm alongside MOTHER_MIRROR, FATHER_MIRROR, and DAD'S CLOCK, the eternal-return corner of the cosmology, so the birthday reads less like a party than like another turn of the loop: the artist stamping his own rebirth-date into the maze's running clock of family, mortality, and cyclical return. **Connects to →** [[Hall of Mirrors]] · [[Roy]] · [[The Circle]] · [[Concepts/The Pattern]] ### 129 · Flaming Sword (the Lightning Flash) A zigzag connect-the-dots: a cross-glyph *"Start"* at top, a numbered path threading 2 to 9 in a lightning switchback, ending at *"End"* with a little recycle-loop, and the margin note *"9 checkpoints, 1 hidden, 1=10."* This is the Kabbalistic Lightning Flash, the descending path of emanation through the ten sephiroth (and the flaming sword of Genesis 3:24). The annotation decodes itself: nine visible nodes, one hidden (Da'at, on the Abyss) restoring the full ten, and the loop reading the whole descent as a cycle rather than a one-way drop. **Connects to →** [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] ### 130 · INCOMING TEXT (JB) A screenshot of two dark iOS message bubbles reading *"Here"* and *"At the gate"*, an *"incoming text"* captured (or staged) and framed as a piece of correspondence rather than a drawing. The code `F876` is a board cell coordinate, and the piece works by the Hall's favorite reversal: an utterly mundane *"on my way, I'm at the gate"* text becomes a threshold image. The gate is one of the project's most load-bearing motifs, the boundary the self eventually has to step through rather than merely stand before, so a plain two-word message lands as a moment of arrival at the edge of one state and the start of another. An intimate, real-world scrap lifted into the mythology of crossing over. **Connects to →** [[Concepts/The Dweller on the Threshold]] · [[LOOP]] · [[Hall of Mirrors]] · [[Roy]] ### 131 · FLOOD ARTIFACT (©øø∂∂å†) An 18-second loop: a bloom of magenta/pink ink diffusing through water resolves into a blurred, pink-saturated human face (it reads as Roy), then washes out to solid aqua-blue before cutting to a hand-drawn glyph on mint paper, a circle around a slotted eye-oval with teardrops inside, a sun-eye-and-rain sigil. It's part of the backward-chained Flood series (each code is the previous artifact's Option-glyph name). Both the *"Flood"* framing and the **LET GO** code aim straight at the debut *Subject to Flooding,* whose stated meaning is *"we are all subject to flooding,"* the dissolving of ego and the walls of separation, surrender rather than escape, which the footage takes literally: a self diffusing into water. The teardrop-and-eye sigil is the flood boiled down to an emblem, the weeping, watching source at the center of the deluge. **Connects to →** [[Subject to Flooding]] · [[Concepts/Source vs Reflection]] · [[Roy]] ### 132 · ROY'S LADDER A 3D scan of a physical framed family photograph, slowly rotating on a black field over weathered barnwood, intercut with dark handheld concert-crowd footage. The photo shows a family group posed beside a white 4×4, the frame carrying a metal nameplate reading *"CAMEL TROPHY / KALIMANTAN '96"* — a personal object, not a diagram. The *"ladder"* of the title is literally the frame's fold-out easel back, which the scan renders as a rung-like structure standing the picture upright; esoterically it pulls the family relic into the Hall's recurring ladder-of-ascent motif (Blake's *"Jacob's Ladder,"* the board's *"How to Live Forever? Earth→Heaven"* hopscotch ladder). The code *"C33"* keys to the *"I'm 33"* board and the album *33* — the Christ-year frame in which a private childhood image becomes a rung on the Tree of Life, the ordinary made a step toward Heaven. **Connects to →** [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] · [[Concepts/Jacob and Esau]] · [[Roy]] ### 133 · FLOOD ARTIFACT (R100) A ~35-second clip that opens on a blank blue-green field of water and slowly surfaces Roy English's face floating just beneath it (the submerged-in-the-bathtub look of the era), before dissolving into the hand-lettered title card **SUBJECT TO FLOODING,** footered *"An album by Jagwar Twin © 2018 Original Mind."* The debut album cover, delivered as a phantom reveal. It's one of the twelve backward-chained Flood Artifacts, its code a set of Mac Option-key glyphs rather than a word. The album title carries Roy's stated meaning, *"we should all let go of ego… we are all Subject to Flooding,"* the self overwhelmed, vulnerability as the universal condition, and it sits on the documented water-line thread (Eye Alaska 2010 → Subject to Flooding 2018 → *"I am the shore"* 2026). Hiding an album cover inside a self-referential glyph cipher is peak Hall of Mirrors: the thing is a biographical relic and a working key in the same breath. **Connects to →** [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] ### 134 · FLOOD ARTIFACT (ƒˆß˙) A ~13-second silent, soft-focus macro film: a defocused crimson form drifting across a teal-blue field, passing through plum and violet hazes before the whole frame dissolves into pure aquatic blue, everything submerged, everything washed out. It's one of the twelve-video Flood chain, where each code is the previous artifact's encoded name. Thematically it sits in the *Subject to Flooding* cluster, its drowning imagery the flood as the medium in which the Hall's phantoms surface and vanish. As a defocused red-in-water abstraction with a cryptographic name, it functions less as a discrete picture than as a node in the self-referential chain: a structural, atmospheric piece of the maze rather than a portrait of anything. **Connects to →** [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] ### 135 · FLOOD ARTIFACT (µø√´†ø¥ø¨) A 15-second silent phantom: a hazy, out-of-focus horizon (sun low over what reads as sea or desert haze) cross-fading from warm sepia into cold blue, then resolving onto a hand-inked sigil on pale paper, a circle around a smaller bisected circle (an eye, or a phi-like mark) ringed by alternating hollow ring-dots and solid blobs, like water droplets crossed with moon phases. It's one of the twelve Flood Artifacts, each unlocked by the previous one's Mac Option-glyph name (the solved members include ∂®´åµ = dream, ˙´¬¬ = hell, Vi†ruvian, 霊的な愛 = spiritual love). The visual grammar, dissolving atmosphere, water symbols, an eye at the center of a ring, enacts the debut's flood motif: the self submerged, the ego-walls dissolving, orientation sought *inside* the deluge rather than in escaping it. It belongs to the flood/water pole, the deliberate opposite of the Circus/flame pole that arrives later with *Lucius Lullaby.* **Connects to →** [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] ### 136 · HOUSE OF SPELLS (CUZ_IDEA) An unreleased demo, *House of Spells (Cuz_idea)*, filed under *"Concealed Generations"* with the rest of the archival material, and self-keyed like its neighbors: the code is just the title. The parenthetical *"Cuz_idea"* reads as a working-title scrawl, a raw idea, plausibly one made with or sparked by a cousin (*"cuz"*), which marks this as an unpolished sketch rather than a finished track. Its place in the cosmology is simply archival: an unseen, never-released fragment kept safe inside the Hall, one more piece of Roy's concealed drawer surfaced into the maze. **Connects to →** [[Hall of Mirrors]] · [[Roy]] · [[Concepts/The Upload]] ### 137 · FLOOD ARTIFACT (∂®´åµ) A ~14-second grainy vintage-film montage: badly degraded 8mm/16mm-style footage of the U.S. Capitol dome framed by trees, blurred crowds, the edges of marble statuary, washed-out cloud-and-water textures, the flickering archival mood that runs through the Flood series, resolving on a hand-drawn ink glyph, a double circle around a slotted eye/lens surrounded by radiating dots and teardrops. This is one of the twelve Flood Artifacts, a backward-threaded cipher whose glyph names are Mac Option-key encodings: this artifact's own name decodes to *"dream,"* and its code opens the next link. The whole series is named for and anchored to the 2018 debut *Subject to Flooding,* which makes these a drowned-archive substrate running beneath that album's cosmology. **Connects to →** [[Subject to Flooding]] · [[The Circle]] · [[Roy]] ### 138 · FLOOD ARTIFACT (∆∑†) A ~13-second vertical phantom: it opens on a flat, watery pale-blue field, dissolves through blurred hand-held imagery in warm red/pink flesh-and-fire tones (a figure or face in bright light, then a dark grainy passage), and resolves onto a hand-drawn ink glyph on the same blue paper, a circle around a slotted *"eye"* with a divided iris, ringed by dots and teardrops, like a schematic sun, a weeping eye, or a radiant seed. The title *"∆∑†"* (delta / summation-sigma / cross) and the code aren't words but Mac Option-key glyph strings: one link in the backward-threaded chain, where each code is the *next* artifact's encoded name. The *"cipher,"* in other words, is a keyring, not a message. The whole series is the behind-the-scenes phantom layer of *Subject to Flooding,* where *"the flood"* is everything competing to direct consciousness (culture, time, inherited dreams, raw human weather), and the blue-to-flesh-to-eye progression stages exactly that submersion-and-orientation drama. **Connects to →** [[Subject to Flooding]] · [[Concepts/The Upload]] · [[Concepts/The Pattern]] · [[Roy]] ### 139 · FLOOD ARTIFACT (H101) A ~12-second macro video that is, in the most literal sense, dozens of identical smiley-face potato snacks bobbing and cooking in bubbling, milky-blue liquid, a churning mass of grinning faces submerged underwater, before it cuts to a hand-drawn glyph (a circle around a vertical-slit *"eye,"* ringed by droplet-circles and topped by a seed-dot). It's titled *"H101,"* and its code **∂®´åµ** decodes via Mac Option-glyphs to **DREAM,** a direct pointer to the released song *"Dream / Dream."* Read against the cosmology the joke turns serious: a flooded field of identical smiling faces literalizes the album's flood metaphor and the Dream/Dream reading of collective sleep, mass Flattened Identity, everyone wearing the same grin while submerged, with the terminal eye-in-a-circle glyph as the witness watching the dreamers. And the whole thing is potato smiles in a pot, which is exactly the point: this is the DIY, kitchen-table register of the Flood series, not some esoteric encoding baked into the frame. **Connects to →** [[Subject to Flooding]] · [[Concepts/Flattened Identity]] · [[Roy]] ### 140 · FLOOD ARTIFACT (Vi†ruvian) A short looping video: waves of luminous aquamarine underwater imagery dissolve into and out of grainy vintage childhood snapshots (a bob-haired child laughing, late-'70s/early-'80s home-photo stock, almost certainly from Roy English's family archive) and a hand-inked glyph, a ringed circle studded with satellite dots around a bisected central *"eye,"* a homemade cosmological seal. It's one of the twelve Flood Artifacts, this one titled *"Vi†ruvian,"* the Mac Option-glyph rendering of **Vitruvian,** Leonardo's ideal-proportion Man, the human measured against the cosmos. The imagery does what the series title says: a self submerged, memory surfacing through water. And the Vitruvian name reframes that drowned self as something being *re-measured* against an ideal template, the childhood photos supplying the personal *"before"* the flood washes over. **Connects to →** [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] ### 141 · FLOOD ARTIFACT (˙´¬¬) A ~25-second found-footage montage: washes of solid teal cut against degraded 1980s home video of a smiling curly-haired woman in white (family footage), a neon casino *"JACKPOT 25¢"* sign, glowing red LED numerals, vintage color film of cars on a desert highway, and a hand-drawn ink glyph (a ringed circle with a vesica/eye center and teardrop marks). This one's own name, *"˙´¬¬,"* decodes to **hell,** while its code *"Vi†ruvian"* is the encoded name of the adjacent Flood Artifact, threading the series backward rather than describing anything in the clip. The Flood series takes its name from Roy English's debut *Subject to Flooding,* and this montage's gambling imagery (JACKPOT, coins, 25¢) laid over intimate family footage sits dead-center in that album's world: the flood you try to outrun by keeping the party moving. **Connects to →** [[Hell Of A Night]] · [[Subject to Flooding]] · [[Concepts/The Pattern]] · [[Roy]] ### 142 · DOWN TO YOU A translucent wireframe human figure sits in a lotus pose at the dead center of a spiral galaxy, a bright light kindling at its core and swelling as it rotates and fills the frame. This is the mint room for the released *33* track *Down to You*, so the tie to the song is simply a fact. The code, *"What is it that you seek?",* is the song's opening question verbatim (*"What is it that you seek? / In your mind, you must be it"*), and the image just draws the lyric: the human dissolved into the same mesh as the cosmos, the light lit from inside rather than handed down, the galaxy staging *"Heaven in the sky to the Earth below"* as one continuous field. The whole thing renders the song's central claim in one picture, that divinity is located in the self, not acquired from outside, the *"you are the one"* placed at the center of everything. **Connects to →** [[Down to You]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] · [[The Circle]] · [[Roy]] ### 143 · ANOTHER WAY II HEAVEN A photogrammetric scan of a human head-and-shoulders: a triangulated mesh face that materializes against violet, then dissolves to a bare wireframe on black, the person reduced to the lattice underneath. This is the mint room for the released song *Another Way II Heaven*, so the tie is definitional. The code, *"Genesis Tree Code,"* names the song's two engines at once: *Genesis*, its first-person creation myth (*"Back long ago / I was just me… / I spoke the words / 'One, become Two'"*), and *Tree*, the Tree-of-Life emanation the lyric counts through (*"From One and through Eleven"*). The dissolving mesh literalizes the song's core move, a lonely *"I"* that can't know itself alone splitting into a reflected *"You"* and multiplying outward, the single form breaking into a web of points so it can finally see itself. It sits at the very floor of the mythology: the generating rule, unity divides to know itself and promises to reunite, that mirrors, doubles, and the Circle all fall out of. **Connects to →** [[Another Way II Heaven]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] · [[The Circle]] ### 144 · IMAGINE A WORLD A translucent, membrane-textured form, clear rippling plastic with red edging, churns and hangs over a red desert canyon, the whole frame bordered in the album's signature red. This is the mint room for *Imagine A World*, track 9 of *33*, so the code is just the song's title. The song is the album's capstone before the closer, an *"imagine it, create it"* invitation that lands on Eden relocated inside the self (*"look inside you'll see it… you just gotta conceive it"*), and the title also names the board's final rung, *"10. The World"* (Malkhut, the kingdom-within), so it works as a lyric and as a Tree-of-Life key at the same time. The half-formed membrane over raw desert reads as creation caught in progress: a world being conceived out of formless matter, the picture-version of *"believe, then conceive."* **Connects to →** [[Imagine A World]] · [[Kabbalah - The Tree of Life]] · [[Concepts/The Upload]] · [[Roy]] ### 145 · THE CIRCLE A translucent wireframe of the numerals *3* and *3*, the album's logo, built in 3D vector lines and hung over a bleak arctic waste of snow, cracked ice, and flat white horizon. This is the mint room for *The Circle*, the closing track of *33*, so the tie is definitional. The code, *"The Great Jagwar,"* names the song's central mythic figure: the feminine maker, the *"Jagwar with a world tied on a string"* who makes the other Jagwars and teaches them to sing, the same Great Jaguar that recurs in Roy's hand-drawn cosmology. The pattern of the number showing through a frozen, emptied world fits the song's doctrine exactly, a maker who hides the song inside creation and then withdraws, leaving the circle to be remembered and regrown *"from the inside of the inside."* **Connects to →** [[The Circle]] · [[Concepts/The Pattern]] · [[The Thread]] · [[Roy]] ### 146 · LOGOS (RATIO) A hand-drawn sheet: the title *"Logos (Ratio)"* at top, a single crossed axis (intersecting horizontal and vertical lines) at center, and beneath it the list *"Elephant, Tortoise / Eagle, Atlas."* The four figures are all mythic world-bearers — the Hindu world-elephant on the world-tortoise, the eagle sky-bearer, and Atlas the Titan who shoulders the heavens; the central cross is the axis mundi they support, the still point at the intersection. The code names that quartet (Roy's own misspelling *"Tortise"* preserved as the literal code). *"Logos"* (divine word / reason) glossed as *"Ratio"* restates the Greek double meaning of *logos* as both word and proportion, so the diagram equates cosmic order with a load-bearing structure held in balance — a Pattern-cosmology page consistent with Roy's other sketches. **Connects to →** [[Concepts/The Pattern]] · [[The Circle]] · [[Kabbalah - The Tree of Life]] · [[Roy]] ### 147 · CAN'T LIE (EARLY ROY) About ten seconds of phone footage from the stage, looking out at a packed dark concert hall, the whole crowd holding up phone flashlights in a swaying sea of light while a hard spotlight flares straight into the lens. The parenthetical *"(Early Roy)"* is the key: this is documentary footage from Roy English's performing life before Jagwar Twin, the band era before the solo mythos, and *"Can't Lie"* reads as a title from that earlier catalogue rather than any released Jagwar Twin song. In the Hall it works as a memory-relic, a literal *"video phantom"* of a former self folded into the archive, so the origin performer becomes one more reflected face in the mirror-hall of Roy's history, the raised phone-lights standing in as witnesses to a life the project keeps returning to. **Connects to →** [[Hall of Mirrors]] · [[Concepts/The Pattern]] · [[Roy]] ### 148 · MATT AND ROY LOSER A ten-second reposted Instagram Story filmed at night in what reads as Los Angeles (palm trees, a red light): the poster pulls up beside a white car and films the grinning, animated driver through his window. The payload is a mid-clip cutaway to her own dashboard, where the HD-radio screen is tuned to ALT 98.7 with the now-playing readout showing "...ar Twin: Loser." Jagwar Twin's "Loser" was on the radio at the exact moment she pulled alongside him. The whole piece is a real-world serendipity gag: the person and the song collide at a red light. The code LINUS PAULING is the decoder, since "Loser" was co-written and co-produced by Matthew Pauling with Roy, so the title pairs the two writers and the code puns Matt's surname onto the chemist Linus Pauling. Its place is documentary rather than esoteric: it certifies the human collaborator behind an early breakthrough track and folds a "the radio was playing our song" coincidence into the maze. **Connects to →** [[Loser]] · [[Hall of Mirrors]] · [[Roy]] · [[Subject to Flooding]] ### 149 · COOL MEXICO A ten-second, shaky phone clip filmed from the stage looking out at a massive nighttime outdoor crowd under a tented canopy, warm amber light, thousands of raised phone-lights scattered across the audience: documentary footage of a huge Mexico show. The code YOU KNOW I LOVE YOU THE MOST is a verbatim lyric from "Loser," where the line lands in the couplet "California, Mexico / You know I love you the most," so the code and the footage rhyme exactly. The video is the "Mexico" of that lyric made literal, a real crowd chanting the words back. It sits among the maze's phantoms as a biographical relic of the touring era "Loser" opened up, the artist's-eye view of the audience the whole project keeps turning back toward. **Connects to →** [[Loser]] · [[Hall of Mirrors]] · [[Roy]] · [[Concepts/The Pattern]] ### 150 · GENESIS UNDERGROUND Three seconds of a scanned model of Roy's own head and neck floating in pure black, the mesh riddled with holes and torn edges that eat into the face and throat, so the captured self looks like it's disintegrating; a thin pendant and dark neck tattoos are just visible. Paired with the code *"Don't be fooled by the internet,"* it reads as a self-portrait as data: the face acquired by the machine, then rendered as a flawed digital ghost, which is exactly why it lives in the PHANTOMS realm. It stages the mythology's recurring fear, that the algorithm captures your face and then treats the copy as more real than you, the *"artificial reflection"* that replaces instead of reflects, with the code as the caption warning you not to mistake that corrupted double for the self. This is the disc from room 23 (*"Genesis underground"*) surfacing a third time, now as a decaying scan of the man himself. **Connects to →** [[Concepts/The Upload]] · [[Concepts/The Algorithm]] · [[Concepts/The Aquarium]] · [[Hall of Mirrors]] · [[Sir Lucius]] ### 151 · GRANDFATHER'S PLANE A short scan of a single military biplane floating against pure black, slowly rotating so its upper wing shows a concentric blue-white-red roundel, the RAF-style marking of a WWII-era Allied aircraft, consistent with the title and the c.1941 date the neighboring "WILLIAM RUDOLPH 1941" fixes to this same family cluster. Biographically it reads as a memorial to Roy's grandfather and his wartime aircraft, a literal family heirloom scanned into the archive. The code HEIMDALL names the Norse watchman who guards the Bifrost, the rainbow bridge between worlds, standing eternally at the threshold, which drops the plane into the maze's recurring gate-and-guardian chain. The move is characteristic: a personal object is lifted into an archetype, the ancestor becoming the sentinel who watches the crossing, the pun on "plane / plane" folding aircraft, ancestry, and metaphysical realm into one. **Connects to →** [[Hall of Mirrors]] · [[Roy]] · [[Concepts/The Pattern]] · [[The Watchers]] ### 152 · WILLIAM RUDOLPH 1941 A three-second macro video of a vintage gold lozenge-shaped pendant fob swaying on a fine chain over blue-and-gold fabric, engraved with a small bell-towered cupola above a banner and the date "1941," ending in a decorative point: the classic form of a 1941 graduation or fraternal pin, a genuine heirloom photographed as the visual key. The code 1941 is a documented puzzle solution, arrived at from a name-and-date riddle and confirmed by the date engraved on the fob itself. Within the maze it belongs to the family-and-heritage cluster (Grandfather Masks, Grandfather's Plane, Grandma VI's Cow), where personal mementos and hidden dates work as birth-and-discovery-year ciphers rather than song content. It is a heritage object with a puzzle attached, biographical rather than lyrical. **Connects to →** [[Hall of Mirrors]] · [[Concepts/The Pattern]] · [[Roy]] ### 153 · FAMILY PORTRAIT A three-second looping scan of a gold lozenge pendant engraved "1941" beneath a small tower device, hanging from a chain against a column of blue textured cloth, floating in black with the jagged mesh edges of a phone scan. Instead of a portrait of faces, the family is rendered as an inherited object: a 1941-dated heirloom medallion, a grandparent-era keepsake scanned into digital permanence, in the same series as "DAD'S CLOCK 4 BB ROY" and "CHUCKSTER'S MUMMY," private mementos turned into rooms. The code REBIRTH is the thematic key: a piece of the dead past captured and re-manifested, landing on the catalog's Phoenix axis of death-into-transformation, the burning that yields the Circle, extended here from song-symbol to literal family lineage, the ancestor "reborn" as a rotating digital relic. **Connects to →** [[Hall of Mirrors]] · [[Roy]] · [[The Circle]] · [[Concepts/Nigredo]] · [[Concepts/The Upload]] · [[Concepts/The Pattern]]