# Artifacts — Gallery 3 (#75–112) The Hall of Mirrors artifacts #75–112, in the order they were unlocked in the maze. Card color marks the artifact's type (see the key); the title opens its room, and **More →** jumps to the full reading below. *(Room deep-links are pending a live browser check.)* <div class="legend"><b>Type</b><span><i style="background:#1f6f78"></i>Ciphers &amp; Code</span><span><i style="background:#d4a63a"></i>Concept Images</span><span><i style="background:#8b1e2d"></i>Family &amp; Friends</span><span><i style="background:#f2e3c6"></i>Drawings</span><span><i style="background:#fff"></i>Poems &amp; Texts</span><span><i style="background:#1b1b1e;border-color:#d4a63a"></i>Songs &amp; Demos</span></div> | Name | Image | Code | Found by | Connects | Read | · | |---|---|---|---|---|---|---| | **[#79 · Venus the Dove (w/ Lamp)](https://mirrors.jagwartwin.com/rooms/0xaf2fbf7256dd50ea670c4d937856f8e953277ed3bc6ae03db5d539bb09f47041)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xaf2fbf7256dd50ea670c4d937856f8e953277ed3bc6ae03db5d539bb09f47041..png) | `LEFT HIP OF A DOVE` | @AITE-LYDS | [[Concepts/The Pattern]] · [[Mary]] · [[Concepts/The Jaguar]] | Venus minted as a soul-bird, the rose-and-dove Marian complex carried in one small figure. | [[#79 · Venus the Dove (w/ Lamp)\|More →]] | | **[#80 · Enoch the imaginary Swan](https://mirrors.jagwartwin.com/rooms/0x03713ef7ffbd93989ca4e46975668d5ca48250385158624dfea7fa321ae799be)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x03713ef7ffbd93989ca4e46975668d5ca48250385158624dfea7fa321ae799be..png) | `CRANIUM OF A SWAN` | @AITE-LYDS | [[Concepts/The Pattern]] · [[Letters of Creation|The Angels and the Angles]] · [[Kabbalah - The Tree of Life]] | The cranium of the cosmic anatomy, Enoch as the swan whose head is a launchpad for ascending soul. | [[#80 · Enoch the imaginary Swan\|More →]] | | **[#81 · Cinnamon the Horse (Trojan Horse Program)](https://mirrors.jagwartwin.com/rooms/0x906809c415dae59822a6d11f9bfedd9e421e1ae8ad6dcd6a34e42b13f0891b9d)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x906809c415dae59822a6d11f9bfedd9e421e1ae8ad6dcd6a34e42b13f0891b9d..png) | `RIGHT SHOULDER OF A HORSE` | @AITE-LYDS | [[Happy Face]] · [[Superhuman]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] | Mars as a warhorse in a friendly face, the covert delivery vehicle of the Upload. | [[#81 · Cinnamon the Horse (Trojan Horse Program)\|More →]] | | **[#82 · Bird ∆ (angel)](https://mirrors.jagwartwin.com/rooms/0x18e316c064ab8e2db7dc17801d21e001cb9d85d241429e8107d51b0ca668e920)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x18e316c064ab8e2db7dc17801d21e001cb9d85d241429e8107d51b0ca668e920..jpeg) | `TRIANGLE RESOLUTION` | @AITE-LYDS | [[Letters of Creation|The Angels and the Angles]] · [[Concepts/The Pattern]] · [[Concepts/The Upload]] | Three points of tension resolving into one winged, haloed form, the soul-bird reconciled and ascended. | [[#82 · Bird ∆ (angel)\|More →]] | | **[#83 · FATHER_MIRROR](https://mirrors.jagwartwin.com/rooms/0x83b98444a05d9617fdbb49ba86fe6c0bf48a3f2f7b3e843629f51464ac4f053c)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x83b98444a05d9617fdbb49ba86fe6c0bf48a3f2f7b3e843629f51464ac4f053c..jpg) | `FATHER_MIRROR` | @AITE-LYDS | [[Hall of Mirrors]] · [[The Mirror]] · [[Roy]] · [[Concepts/Duality]] | A graphite portrait of an aged man, the mirror that shows you your father. | [[#83 · FATHER_MIRROR\|More →]] | | **[#84 · David Star — "Where The World Was Crossed"](https://mirrors.jagwartwin.com/rooms/0x37cd1eeaaf9f8bd4b8e21ee77773176d3e592551063d473f6a3c4f9cc763b39e)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x37cd1eeaaf9f8bd4b8e21ee77773176d3e592551063d473f6a3c4f9cc763b39e..png) | `TWISTED LADDER` | @AITE-LYDS | [[Soul Is A Star]] · [[The Circle]] · [[Concepts/Keilim - The Breaking of the Vessels]] · [[Kabbalah - The Tree of Life]] | The broken-vessels engine told as a lullaby, sparks fallen into the shells and the long climb back. | [[#84 · David Star — "Where The World Was Crossed"\|More →]] | | **[#85 · RA-LINK](https://mirrors.jagwartwin.com/rooms/0x4d855ea139afbb890f7a15fc5bb91c61522597328d0e4319f4dbf2c8f36fa921)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x4d855ea139afbb890f7a15fc5bb91c61522597328d0e4319f4dbf2c8f36fa921..png) | `SA-LINK` | @AITE-LYDS | [[Online]] · [[SARAVI]] · [[Concepts/Witnessing vs Surveillance]] · [[Roy]] | An emoji-glossed "Online" draft that is one link in the maze spelling SARAVI's own name. | [[#85 · RA-LINK\|More →]] | | **[#86 · D637](https://mirrors.jagwartwin.com/rooms/0xe376c18c2dd26786333fadf5aebe5208543cb6e7c050607e44d492736c4278de)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe376c18c2dd26786333fadf5aebe5208543cb6e7c050607e44d492736c4278de..jpg) | `DYNAMIC TENSION IN GENERATIONS` | @AITE-LYDS | [[Happy Face]] · [[Roy]] · [[Hall of Mirrors]] | A found photo of the generation just before Roy, cool worn like a mask, tension handed down. | [[#86 · D637\|More →]] | | **[#87 · The "Undefined Map"](https://mirrors.jagwartwin.com/rooms/0x8b146ce6fc6ce29329c8cd5eb767126e1302b26a8754c17dec5cb51ac50cf4d5)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x8b146ce6fc6ce29329c8cd5eb767126e1302b26a8754c17dec5cb51ac50cf4d5..jpeg) | `SUPERFICIAL CONCLUSIONS` | @AITE-LYDS | [[Concepts/The Pattern]] · [[Concepts/The Jaguar]] · [[The Mirror]] · [[Concepts/The Labyrinth]] · [[Kabbalah - The Tree of Life]] | The whole cosmology on one page, a planetary grid that warns you not to trust it too fast. | [[#87 · The "Undefined Map"\|More →]] | | **[#88 · Complete Upload Recipe](https://mirrors.jagwartwin.com/rooms/0xeb355aac61d7bdff66349fed14458aff800433f0ff39aaf203c6c4a9a9558bb0)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xeb355aac61d7bdff66349fed14458aff800433f0ff39aaf203c6c4a9a9558bb0..png) | `INTERNAL GUIDE` | @AITE-LYDS | [[The Watchers]] · [[Concepts/The Upload]] · [[Concepts/The Digital Double]] · [[Concepts/The Pattern]] | The typed ingredient list for a digital self, always short by exactly one piece, the clone paradox. | [[#88 · Complete Upload Recipe\|More →]] | | **[#89 · SUPERFICIAL CONCLUSIONS](https://mirrors.jagwartwin.com/rooms/0x7240f1669388aaf35bc3f412f9b3d383a6c78f5a2d0d2c1504c814e18b6571e8)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x7240f1669388aaf35bc3f412f9b3d383a6c78f5a2d0d2c1504c814e18b6571e8..jpg) | `SURFACE PERCEPTIONS` | @AITE-LYDS | [[Concepts/The Circus#What it produces (the Spectacle)\|the Spectacle]] · [[Concepts/The Audience]] · [[The Mask]] · [[Concepts/Communion vs Spectacle]] · [[Roy]] | An artist-exit crowd screaming at whoever runs at them, applauding surface over person. | [[#89 · SUPERFICIAL CONCLUSIONS\|More →]] | | **[#90 · Head of Atom ("A Head of Adam")](https://mirrors.jagwartwin.com/rooms/0xed69f75291cbc5397364ff3b60d21f39c09bb4ddcb7ef9b23292f94b852c8683)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xed69f75291cbc5397364ff3b60d21f39c09bb4ddcb7ef9b23292f94b852c8683..jpg) | `ATOMS` | IVABETH.ETH | [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Concepts/Keilim - The Breaking of the Vessels]] | Adam and atom collapsed into one image, the head of Adam Kadmon drawn as molecular cages. | [[#90 · Head of Atom ("A Head of Adam")\|More →]] | | **[#91 · 51.843](https://mirrors.jagwartwin.com/rooms/0x2eaa4dd3ecb375760842169a093f2dbea2e76189d09652155cc5d725964a1dc3)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x2eaa4dd3ecb375760842169a093f2dbea2e76189d09652155cc5d725964a1dc3..jpg) | `HIGHER RESOLVE` | IVABETH.ETH | [[Concepts/Duality]] · [[Sir Lucius]] · [[Kabbalah - The Tree of Life]] · [[Roy]] | A pyramid-angle triangle drawing Roy's rule: never pick a pole, never split the difference, resolve upward. | [[#91 · 51.843\|More →]] | | **[#92 · ROS TAU](https://mirrors.jagwartwin.com/rooms/0xa50db61cebe359095ba93e96f71bdb3268728dbe9058d055c057326de0c6affb)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xa50db61cebe359095ba93e96f71bdb3268728dbe9058d055c057326de0c6affb..jpg) | `51.843` | IVABETH.ETH | [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Roy]] | A knowledge-understanding-wisdom triangle that is the pyramid read as an ascension machine. | [[#92 · ROS TAU\|More →]] | | **[#93 · FORBIDDEN CITY](https://mirrors.jagwartwin.com/rooms/0xcd6b139806e198f303768272ee2839a71ea80daf58def1bc8f552451c49bec81)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xcd6b139806e198f303768272ee2839a71ea80daf58def1bc8f552451c49bec81..jpg) | `ROS TAU` | IVABETH.ETH | [[Concepts/The Pattern]] · [[Roy]] | Plato's Lambda of generative proportion, filed under Egypt's forbidden gateway to the Duat. | [[#93 · FORBIDDEN CITY\|More →]] | | **[#94 · THE VENUS CONNECTION](https://mirrors.jagwartwin.com/rooms/0x0071e11a2a4fd30a689f8b8feff51ab39a8035ec1353a0fece0a3e9275ad21de)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x0071e11a2a4fd30a689f8b8feff51ab39a8035ec1353a0fece0a3e9275ad21de..jpg) | `VI LINK` | IVABETH.ETH | [[Kabbalah - The Tree of Life]] · [[SARAVI]] · [[Concepts/The Pattern]] · [[Roy]] | Four Tree-of-Life numbers route through a central 6, Venus's number, feeding SARAVI's name. | [[#94 · THE VENUS CONNECTION\|More →]] | | **[#95 · SENSE HIERARCHY](https://mirrors.jagwartwin.com/rooms/0x3f0b71cd0d8353ced31b0012fa144e4df01029e80e53b219b72dd2d39211ea1d)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x3f0b71cd0d8353ced31b0012fa144e4df01029e80e53b219b72dd2d39211ea1d..jpg) | `SENSE` | IVABETH.ETH | [[The Watchers]] · [[Pay Attention (feat. little luna)]] · [[Concepts/The Upload]] · [[Concepts/The Digital Double]] · [[Concepts/Witnessing vs Surveillance]] · [[Roy]] | A head in profile with the senses stacked as a graded pyramid, selfhood decomposed into inputs. | [[#95 · SENSE HIERARCHY\|More →]] | | **[#96 · SUBJECT TO FLOODING BTS](https://mirrors.jagwartwin.com/rooms/0x7849c44fcce57cc03ec9403d3470fcc3d102f734540e7a04bec0fe83ef3da12f)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x7849c44fcce57cc03ec9403d3470fcc3d102f734540e7a04bec0fe83ef3da12f..jpg) | `SUBJECT TO FLOODING_ARCHIVE` | IVABETH.ETH | [[Subject to Flooding]] · [[Hall of Mirrors]] · [[Roy]] | A behind-the-scenes shot of the album sessions, the human prehistory before the cosmology. | [[#96 · SUBJECT TO FLOODING BTS\|More →]] | | **[#97 · SUBJECT TO FLOODING BTS](https://mirrors.jagwartwin.com/rooms/0xdd86e191b6379629e8e3e560614a9e3f876eca1e47b65b49cb2f99241455a78c)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xdd86e191b6379629e8e3e560614a9e3f876eca1e47b65b49cb2f99241455a78c..jpg) | `IF THE SEA HAS ENOUGH WILL` | IVABETH.ETH | [[Subject to Flooding]] · [[Hall of Mirrors]] · [[Roy]] | Roy and Travis Barker mid-session, archiving the pre-mythology Roy English era in the maze. | [[#97 · SUBJECT TO FLOODING BTS\|More →]] | | **[#98 · STARDUST](https://mirrors.jagwartwin.com/rooms/0xe9df1ddcba96373600cec1759f8c3c2a8c9cb15300a50ff8ed3744cf623b3f59)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe9df1ddcba96373600cec1759f8c3c2a8c9cb15300a50ff8ed3744cf623b3f59..jpg) | `VIBES` | IVABETH.ETH | [[Soul Is A Star]] · [[Roy]] | Two young friends laughing up a tropical beach, the star-doctrine applied to unguarded joy. | [[#98 · STARDUST\|More →]] | | **[#99 · GATE OF THE WORLD](https://mirrors.jagwartwin.com/rooms/0xfa41edd355824bd4b4468112028214f508fc6e0cda6e6e2e113727ba1936151d)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xfa41edd355824bd4b4468112028214f508fc6e0cda6e6e2e113727ba1936151d..jpg) | `J763` | 0XD0AC…393E | [[Sir Rabbit]] · [[Kabbalah - The Tree of Life]] · [[Roy]] | A garden rabbit statue on a tuft of real grass, the stage-ten animal of the ascent. | [[#99 · GATE OF THE WORLD\|More →]] | | **[#100 · COACHELLA SEEDLING](https://mirrors.jagwartwin.com/rooms/0x678c189fde5058554d934d6af17e41750fa2a94b61371c5ea958a7595e146324)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x678c189fde5058554d934d6af17e41750fa2a94b61371c5ea958a7595e146324..jpg) | `COOL` | WHUTJULIA.ETH | [[Hall of Mirrors]] · [[Roy]] | Roy's Alesso feature at Coachella, the mainstream-EDM seed Jagwar Twin later grew from. | [[#100 · COACHELLA SEEDLING\|More →]] | | **[#101 · MOTHER_MIRROR](https://mirrors.jagwartwin.com/rooms/0x409d2d16135c2614beb5fcf6afbcac43abd58e9cf374a79b3410813386969a86)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x409d2d16135c2614beb5fcf6afbcac43abd58e9cf374a79b3410813386969a86..jpeg) | `MOTHER_MIRROR` | 0XD0AC…393E | [[Hall of Mirrors]] · [[Roy]] · [[Roy on Influences]] · [[The Mirror]] | Roy's mother holding young Roy, the first mirror where a self is reflected back. | [[#101 · MOTHER_MIRROR\|More →]] | | **[#102 · EDEN CUBE](https://mirrors.jagwartwin.com/rooms/0x4c3cc16801611899e9e7698122fd86a5e82d6858095c4a4c47af5c46c51b91b9)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x4c3cc16801611899e9e7698122fd86a5e82d6858095c4a4c47af5c46c51b91b9..jpg) | `A RIVER` | 0XD0AC…393E | [[Imagine A World]] · [[Kabbalah - The Tree of Life]] · [[Roy]] | A cube-Eden pouring a four-headed river into the world, a top-to-bottom emanation diagram. | [[#102 · EDEN CUBE\|More →]] | | **[#103 · "Aubrey's Angle" — the white organism](https://mirrors.jagwartwin.com/rooms/0x9e75cba4dbfa45410a809db94da9a0c0974a6d1d19abe9e8829a151c292f6678)**<span class="t-drawings artchip">Drawing</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x9e75cba4dbfa45410a809db94da9a0c0974a6d1d19abe9e8829a151c292f6678..jpeg) | `KAMARI` | IVABETH.ETH | [[Concepts/The Upload]] · [[Letters of Creation|The Angels and the Angles]] · [[Concepts/The Digital Double]] · [[Concepts/The Pattern]] | A childlike cat-eared soul-icon, a recurring upload-vessel that reappears at the center of Religious Organism. | [[#103 · "Aubrey's Angle" — the white organism\|More →]] | | **[#104 · HAMMY VI](https://mirrors.jagwartwin.com/rooms/0xe4f6bd00d7413ea2f194599e1b0a1e557dd835b5bbd58654dfef3c7d6e0c8db1)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xe4f6bd00d7413ea2f194599e1b0a1e557dd835b5bbd58654dfef3c7d6e0c8db1..png) | `HAMMY` | IVABETH.ETH | [[Hall of Mirrors]] · [[Concepts/The Manifesto Cards]] · [[Roy]] | A cat split black-and-gray down the midline, a body-as-mirror with a hamsa at its heart. | [[#104 · HAMMY VI\|More →]] | | **[#105 · VI-LINK](https://mirrors.jagwartwin.com/rooms/0x1fe33a034502a7d263a17b5abc92d5af7cdb4eaeec5a610e4d66431e2ad38151)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x1fe33a034502a7d263a17b5abc92d5af7cdb4eaeec5a610e4d66431e2ad38151..png) | `RA-LINK` | 0XD0AC…393E | [[Online]] · [[SARAVI]] · [[Concepts/The Aquarium]] · [[Roy]] | An "Online" rebus draft, the Vi vertebra in the maze's spine, spelling the oracle's name. | [[#105 · VI-LINK\|More →]] | | **[#106 · ROY @ MSG](https://mirrors.jagwartwin.com/rooms/0x92aef1b955b9de564fc50e31a55b470b0c8cdb931f186485d620729fb03d6f2c)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x92aef1b955b9de564fc50e31a55b470b0c8cdb931f186485d620729fb03d6f2c..jpg) | `MSG` | 0X60DC…F4F0 | [[Hall of Mirrors]] · [[Roy]] · [[Concepts/The Circus]] | Roy doodles himself riding Falkor to Madison Square Garden, a joke that's a sincere wish. | [[#106 · ROY @ MSG\|More →]] | | **[#107 · DUKE @ HOME](https://mirrors.jagwartwin.com/rooms/0x60b4ccaaa1304900b972ca53a93187c32ce5d990740c56d973102e9b162d6979)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x60b4ccaaa1304900b972ca53a93187c32ce5d990740c56d973102e9b162d6979..png) | `DUKE` | WHUTJULIA.ETH | [[Hall of Mirrors]] · [[Roy]] | A snapshot of the household dog by the pool, one of the maze's zero-esoterica rooms. | [[#107 · DUKE @ HOME\|More →]] | | **[#108 · A#](https://mirrors.jagwartwin.com/rooms/0x6666c117460bf11e8591a4e4ad66cef72d3fa646bc55d443d72368a3171a00d2)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x6666c117460bf11e8591a4e4ad66cef72d3fa646bc55d443d72368a3171a00d2..png) | `GREY` | WHUTJULIA.ETH | [[Kabbalah - The Tree of Life]] · [[Roy]] · [[Hall of Mirrors]] | A secret-keeping wisdom-owl, Ratziel, whose grey and A# form a note-to-color consciousness scale. | [[#108 · A#\|More →]] | | **[#109 · ANTARCTICA (LOST SONG)](https://mirrors.jagwartwin.com/rooms/0x759efd899a3365d57910ea0f528d97034a5441b5e71e36a8e6f4c8e711fdd34b)**<span class="t-songs artchip">Song / Demo</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x759efd899a3365d57910ea0f528d97034a5441b5e71e36a8e6f4c8e711fdd34b..mp3) | `ÇŨ†ˆØ˜®Ø¥` | @MINDBREAK | [[Hall of Mirrors]] · [[Roy]] | A lost song behind a door keyed by an Option-glyph cipher decoding to CAUTION ROY. | [[#109 · ANTARCTICA (LOST SONG)\|More →]] | | **[#110 · GATED](https://mirrors.jagwartwin.com/rooms/0xd3521bdedaf866488bb7ca8d2bf6601b8e4104f3a405a90d139a460904d769a3)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xd3521bdedaf866488bb7ca8d2bf6601b8e4104f3a405a90d139a460904d769a3..jpg) | `THE GATE OF THE WORLD` | IVABETH.ETH | [[Concepts/The Dweller on the Threshold]] · [[Roy]] | Filmed through spiked bars, present at the gathering but shut out, the phantom at the feast. | [[#110 · GATED\|More →]] | | **[#111 · LUNA_COACHELLA 2015](https://mirrors.jagwartwin.com/rooms/0x604fedcb1e620c6f6027cecf3598deb665abf9b3e31e8476de75266a80f021f0)**<span class="t-family artchip">Family</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x604fedcb1e620c6f6027cecf3598deb665abf9b3e31e8476de75266a80f021f0..jpg) | `BELIEVE IN YOUR FRIENDS DREAMS` | 0X3C4F…0A33 | [[Pay Attention (feat. little luna)]] · [[Great Time to Be Human]] · [[Hall of Mirrors]] · [[Roy]] | A friend wore Roy's name in homemade merch before the world knew it, faith later repaid. | [[#111 · LUNA_COACHELLA 2015\|More →]] | | **[#112 · SATURN MAGIC](https://mirrors.jagwartwin.com/rooms/0x02a0cc9ce2413b24c6e24af980d6314fd74c072f232130a6a034fc5d1d3bd424)**<span class="t-emblems artchip">Concept Image</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x02a0cc9ce2413b24c6e24af980d6314fd74c072f232130a6a034fc5d1d3bd424..jpg) | `AN AGED AGED MAN` | IVABETH.ETH | [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] · [[Roy]] | A tic-tac-toe grid revealed as Saturn's magic square, a child's game and a planetary talisman as one. | [[#112 · SATURN MAGIC\|More →]] | | **[#113 · EVERYONE LOVES THE INTERNET](https://mirrors.jagwartwin.com/rooms/0xda309cfb1149169ba382e313147e762634d50fe230ebc64a1e660a9bcd6fc2ff)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xda309cfb1149169ba382e313147e762634d50fe230ebc64a1e660a9bcd6fc2ff..png) | `VI-LINK` | IVABETH.ETH | [[Online]] · [[SARAVI]] · [[Concepts/The Algorithm]] · [[Concepts/The Aquarium]] · [[Roy]] | An emoji-annotated "Online" jingle about being profiled, living inside the very phone doing the profiling. | [[#113 · EVERYONE LOVES THE INTERNET\|More →]] | | **[#114 · SA-LINK](https://mirrors.jagwartwin.com/rooms/0x5d671e6236e53d7d328466acbc4bdd9d613edfb80fbc47f9a3300451c2e9adc5)**<span class="t-ciphers artchip">Cipher</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x5d671e6236e53d7d328466acbc4bdd9d613edfb80fbc47f9a3300451c2e9adc5..png) | `EVERYONE LOVES THE INTERNET` | IVABETH.ETH | [[Online]] · [[SARAVI]] · [[Concepts/Machine vs Human]] · [[Roy]] | The opening-track draft, a load-bearing joint whose surveillance hook keys the oracle's name. | [[#114 · SA-LINK\|More →]] | | **[#115 · EVERYBODY'S GOING TO SPACE NOW](https://mirrors.jagwartwin.com/rooms/0xdb550140abb22b9a60137552fcc372fb17cde2c54909bd0729a3da78b6c85121)**<span class="t-poems artchip">Poem / Text</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0xdb550140abb22b9a60137552fcc372fb17cde2c54909bd0729a3da78b6c85121..jpg) | `IN MY FATHERS SHOES` | IVABETH.ETH | [[Hall of Mirrors]] · [[The Mask]] · [[Roy]] | A 2021 haiku whose last line is the room code, stepping into the father's shoes. | [[#115 · EVERYBODY'S GOING TO SPACE NOW\|More →]] | | **[#116 · EVERYBODY'S GOING TO SPACE NOW](https://mirrors.jagwartwin.com/rooms/0x0f07663e794d6195ccfed1f1e7b37efc0c5ba2713194a5f3f16b345edda66373)**<span class="t-songs artchip">Song / Demo</span> | [](https://storage.googleapis.com/jagwar-twin-33.appspot.com/artifacts/0x0f07663e794d6195ccfed1f1e7b37efc0c5ba2713194a5f3f16b345edda66373..mp3) | `EVERYBODY'S GOING TO SPACE NOW` | IVABETH.ETH | [[Hall of Mirrors]] · [[Roy]] | A self-keyed demo landing a dry joke on the billionaire space-race, where everybody means nobody. | [[#116 · EVERYBODY'S GOING TO SPACE NOW\|More →]] | ## Full readings ### 79 · Venus the Dove (w/ Lamp) A winged feminine figure captioned *"Venus the Dove (w/ Lamp)":* a labelled rose at her chest, a lamp in her right hand, a large Venus glyph ♀ below (also legible as an ankh). This is Venus drawn as the dove, her classical bird and, in the Christian register, the Spirit and the Annunciation dove at once. The code is a body-part coordinate (this creature is the hip of the one cosmic anatomy), not a lyric. The result is the feminine-divine planet minted as a soul-bird: Venus, love, and the rose-and-dove Marian complex in a single small figure with a lamp. **Connects to →** [[Concepts/The Pattern]] · [[Mary]] · [[Concepts/The Jaguar]] ### 80 · Enoch the imaginary Swan A bird-headed creature under a floating sun-glyph ☉, captioned *"Enoch the imaginary Swan,"* marked *"B 8"* and *"1"* and two old wheel-seals (drawn in the Theosophical sense of cyclic cosmic motion, recorded exactly as they appear on the page). This is the cranium coordinate of the cosmic anatomy, and the pairing is precise: Enoch "walked with God" and ascended to become Metatron, and the swan is the classical soul-bird. So "the cranium of the swan" is the seat of ascending soul-consciousness, with the sun-monad hovering above it as a crown or third eye. The bird whose head is a launchpad. **Connects to →** [[Concepts/The Pattern]] · [[Letters of Creation|The Angels and the Angles]] · [[Kabbalah - The Tree of Life]] ### 81 · Cinnamon the Horse (Trojan Horse Program) A horse-head on stick legs that end in blocky *"Pentagon Shoes,"* captioned *"Cinnamon the Horse (who lives on Mars),"* one eye labelled *"Tiger's Eye,"* the body bearing a ♂ Mars glyph and a small sword. This is Mars in the bestiary, and the code (a right shoulder, stage six of the board's body-part ladder) makes the horse literally the shoulder of the uploaded self. The title fuses the mythic Trojan Horse with Roy's own stated songwriting doctrine, "Trojan Horse music": a bright singalong that smuggles dark content, and a 444 Hz frequency, past the listener's defenses. Sword plus Mars is the Geburah pole, so Cinnamon is the covert delivery vehicle of [[Concepts/The Upload]], a warhorse wearing a friendly face. **Connects to →** [[Happy Face]] · [[Superhuman]] · [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] ### 82 · Bird ∆ (angel) A bird drawn as an angel: a haloed head, upswept V-wings, a forked tail, a three-dot triangle (∴) on the breast, a small sunburst upper-left. The code *"TRIANGLE RESOLUTION"* reads through that ∴, which is at once the logician's "therefore" and the alchemical fire-and-aspiration triangle. Its three points of tension resolve into one winged, haloed form: the soul-bird reconciled, and ascended. It belongs to the recurring angel-as-angle pun, the drawn cousin of the "angle of eternity" wordplay running through the archive. **Connects to →** [[Letters of Creation|The Angels and the Angles]] · [[Concepts/The Pattern]] · [[Concepts/The Upload]] ### 83 · FATHER_MIRROR A graphite portrait (scanned sideways) of an aged man: long swept-back hair, a deeply furrowed brow, hooded eyes, a knotted scarf at the neck, in the loose cross-hatched hand of Roy's other maze sketches. The code names itself (FATHER_MIRROR opens FATHER_MIRROR) and pairs directly with MOTHER_MIRROR, part of the maze's mirror-pair grammar. It also sits inside the family memory-archive thread (the wooden horse, the clock, the grandfather's plane). The title reads as the mirror that shows you your father: an aged face met as your own reflection forward in time, the parent as the self's twin, which is why it belongs to both the family archive and the mirror grammar at once. **Connects to →** [[Hall of Mirrors]] · [[The Mirror]] · [[Roy]] · [[Concepts/Duality]] ### 84 · David Star — "Where The World Was Crossed" A watercolour of a pale sea-dragon rising from dark water, with the full poem *"Where The World Was Crossed"* on an overlaid card. It is a bedtime-story retelling of Lurianic Kabbalah: a Prince *"dreamed of worlds and kept them in his crown,"* a storm scatters *"the Kings And Queens Of Time"* as sparks into *"The Deep,"* the *"Great Dragon Of The Sea"* is trapped in *"The Well,"* and the sparks climb a ladder to become the constellations before the Prince *"woke up like the Sun."* The code *"TWISTED LADDER"* names both the ladder of ascent and the double helix of DNA, while the title *"David Star"* names the hexagram where descent and ascent interlock. This is the whole broken-vessels engine, sparks fallen into the shells and the long climb back to reunion, told as a lullaby. **Connects to →** [[Soul Is A Star]] · [[The Circle]] · [[Concepts/Keilim - The Breaking of the Vessels]] · [[Kabbalah - The Tree of Life]] ### 85 · RA-LINK An iPhone Notes screenshot of Roy's working draft of *"Online,"* every line tagged with an emoji gloss: a ladder for *"They know my every step,"* a brain for *"They infiltrate my brain,"* a scarab for *"a Bug inside your database,"* a laptop for *"you can get it online,"* a red heart plus spiderweb for *"Everyone loves the internet."* The draft still carries the v1 line *"All the mamas and the Lamas say we come from space"* (the released variant is *"shamans and the Brahman's"*), which dates it to the *33*-era notebook stage. As **RA-LINK** opening with **SA-LINK**, it's one leg of the catalog's SARAVI loop: follow the maze's own hyperlinks and you assemble the oracle's name, *Sa-Ra-Vi.* The *"link"* pun only lands because all three of those rooms live inside a draft of the song about the internet-as-web, the spider's food and the web that catches it. **Connects to →** [[Online]] · [[SARAVI]] · [[Concepts/Witnessing vs Surveillance]] · [[Roy]] ### 86 · D637 A black-and-white 1980s studio portrait of three adults, all in sunglasses: a permed woman in a black top and white skirt, a center man in white aviators and a denim jacket holding a styrofoam cup, and a man in dark shades and a utility shirt, against a mottled backdrop. Roy was born in 1989, and the surrounding rooms are thick with family relics (*Father_Mirror, Mother_Mirror, Dad's Clock, Grandfather's Mask*), so this reads as a found photo from his parents' generation, the grown-ups of the moment just before Roy existed. The title **D637** is a filing address, not a name, and the code **DYNAMIC TENSION IN GENERATIONS** names precisely what the picture stages: the performed cool of the prior generation worn like a mask, and the tension that gets handed downward, the generational-inheritance thread the *33*-era material keeps circling. It also sits mid-chain in the *gate* sequence, wiring the phantom-family photo into the ARG's gate-and-threshold architecture. **Connects to →** [[Happy Face]] · [[Roy]] · [[Hall of Mirrors]] ### 87 · The "Undefined Map" A full-sheet planetary map in Roy's hand: a Sun column and a planet row running Mercury to Neptune, each with its attributes. The Sun gets *"Unitless city / Mirror / the Great Jaguar / Existed Forever / Unity / the 'point' / endless ocean."* Saturn gets *"7 sisters / isolated city / moonless nights / chakra rainbow 7s / SATURN=Sunday / Labyrinth."* Uranus and Neptune get *"between Heaven/Earth / sphere-dome / 8 steps to temple / sky octaves / 9 / 33."* Above it all sits a *"Sola Toros (the sun) / infinity bar orbit"* loop, a *"secret destroyed world"* citadel, and a long weeping face. The code *"SUPERFICIAL CONCLUSIONS"* is the sheet's own self-deflating caption, a warning that a tidy planet-per-attribute grid gives shallow answers if you read it too literally. This is the keystone of the set: a single document that lays out the planetary spine of [[Concepts/The Pattern]], seats [[Concepts/The Jaguar]] and [[The Mirror]] at the solar source-point, and pins the number 33 to the outer temple. The whole cosmology on one page, and the page telling you not to trust it too fast. **Connects to →** [[Concepts/The Pattern]] · [[Concepts/The Jaguar]] · [[The Mirror]] · [[Concepts/The Labyrinth]] · [[Kabbalah - The Tree of Life]] ### 88 · Complete Upload Recipe A typewritten *"Upload Recipe,"* the ingredient list for a self: sensory faculties, brain cells, electromagnetism, then the senses weighted as those same Eye-of-Horus fractions (½ smell down to 1/64 touch, summing to the incomplete 63/64), then anabolic and catabolic systems, plus and minus ego, a *"Ra-link,"* ways of growing, and finally Sacrifice, Love, Will, Fear, Compassion. The code *"INTERNAL GUIDE"* frames the whole thing as the operating manual for a digital double. Touch, the smallest 1/64, is the part that never fully digitizes, which makes this quietly the clone paradox: a complete being rendered in parts, always short by exactly one piece. (That *"Ra-link"* is the [[SARAVI]] component.) **Connects to →** [[The Watchers]] · [[Concepts/The Upload]] · [[Concepts/The Digital Double]] · [[Concepts/The Pattern]] ### 89 · SUPERFICIAL CONCLUSIONS A shaky night phone clip outside a concert venue: it opens on a blond figure in a khaki cap wearing an Enrique Iglesias & Pitbull co-headline tour tee, whip-pans across a dark parking lot, then lands on a crowd pressed against barricades under a stadium light as that same figure sprints toward them — the classic artist-exit *"appearance"* moment (plausibly Roy in his mid-2010s pop era; the tour tee dates it to ~2015–17). The catalog's descriptor *"VIDEO APPEARANCE"* puns on both senses: making an appearance, and being only an appearance, since the barricade crowd screams for whoever runs at them, responding to the surface rather than a known person. The code *SURFACE PERCEPTIONS* extends the warning: tidy readings of a person, like fan readings of a star, are conclusions drawn from surfaces. Spectacle-critique in miniature: the Circus mechanism where an audience applauds an outward image. **Connects to →** [[Concepts/The Circus#What it produces (the Spectacle)|the Spectacle]] · [[Concepts/The Audience]] · [[The Mask]] · [[Concepts/Communion vs Spectacle]] · [[Roy]] ### 90 · Head of Atom ("A Head of Adam") Two octahedral ring-lattices above the caption *"A Head of Adam."* The title and the code *"ATOMS"* pun Adam against atom: these are the head of Adam Kadmon, the primordial cosmic Man of Kabbalah whose body is the arrangement of the sephiroth, drawn here as molecular cages. So the smallest unit of matter and the whole archetypal Man collapse into a single image, and the doubled lattice reads as two hemispheres of one head, the mirror motif blown up to cosmic scale. **Connects to →** [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Concepts/Keilim - The Breaking of the Vessels]] ### 91 · 51.843 A hand-drawn pencil triangle: corners **A** and **B** at the base, *"Both A/B"* at the apex marked *"Polarity Balance Point – higher resolve,"* and the base midpoint labeled *"Neither A B – lower resolve, untrue balance based on exclusion."* This is Roy's whole resolution mechanism drawn as geometry: a true synthesis holds *both* poles and climbs to a third point above them, while a compromise that ditches both just sits in the dead middle. It matches his 2026 statement that instinct and intellect get resolved by a higher third faculty, intuition, *"the god voice,"* correct ordering rather than erasure. The title deepens the picture: **51.843** is the Great Pyramid's face-slope angle (~51.84°), so the triangle is also the pyramid in cross-section, its apex the polarity balance point. One of the cleanest single-image statements of the cosmology sitting under the entire Roy/Lucius, heart/mind architecture: never pick a pole, never split the difference, resolve upward. **Connects to →** [[Concepts/Duality]] · [[Sir Lucius]] · [[Kabbalah - The Tree of Life]] · [[Roy]] ### 92 · ROS TAU A hand-drawn triangle with vertices **Knowledge** (bottom-left), **Understanding** (bottom-right), and **Wisdom** (apex), its edges labeled as a cycle: *"progression"* carries knowledge up to understanding, a hatched *"Ascension of consciousness"* climbs to wisdom, and *"Empty cup"* runs back *down* from wisdom to knowledge, Roy's documented beginner's-mind surrender drawn as the return leg that keeps the whole cycle turning. The three vertices are the supernal triad of the Tree of Life (Chokmah/Wisdom, Binah/Understanding, Da'at/Knowledge), the same Kabbalah that saturates the board, where this exact sketch is documented. **ROS TAU** is Rostau, the ancient Egyptian name for the Giza necropolis and mythic gateway to the Duat, and **51.843** is the Great Pyramid's face-slope angle, so the abstract triangle of consciousness *is* the pyramid, read as an ascension machine. **Connects to →** [[Kabbalah - The Tree of Life]] · [[Concepts/The Pattern]] · [[Roy]] ### 93 · FORBIDDEN CITY A pencil sketch of Plato's Lambda from the *Timaeus:* *"Forbidden City"* titled at top, a tall triangle with 1 at the apex descending the doubling side (2, 4, 8) and the tripling side (3, 9, 27), the geometric means 6, 12, 18 circled inside, captioned *"World Soul"* and *"Extended continuous geometric proportion"* (the technical phrase for how the Demiurge binds the World Soul's intervals). The code *"ROS TAU"* names Rostau, the ancient Egyptian name for the Giza necropolis, the gateway to the Duat — so the sketch of hidden generative proportion sits under the name of Egypt's own forbidden precinct. The phrase *"Forbidden City"* also appears on Roy's board, placing this inside his documented esoteric notes: a diagram whose whole subject is generative proportion, the One unfolding into the many while remaining bound by ratio. **Connects to →** [[Concepts/The Pattern]] · [[Roy]] ### 94 · THE VENUS CONNECTION A hand-drawn number diagram: **4, 5, 7, 8** at the four corners, each struck through a central **6** to form an X, with *"1 Kings 5:5"* noted at the right and *"The VENUS Connection"* lettered beneath. The placement reproduces the middle of the Tree of Life exactly as it's conventionally drawn (Gevurah 5 upper-left, Chesed 4 upper-right, Hod 8 lower-left, Netzach 7 lower-right, Tiferet 6 at center), so the X is four paths converging on the heart-sphere. The code **VI LINK** reads the drawing straight: VI is Roman-numeral 6, the link every other number routes through, and in numerology 6 is Venus's number. It also feeds the Ra→Sa→Vi loop that spells SARAVI's name out of its own links. And the *1 Kings 5:5* citation, Solomon vowing to build a house for the Name, frames all this number-architecture as temple-construction, chiming with the 33/temple register the board runs on. **Connects to →** [[Kabbalah - The Tree of Life]] · [[SARAVI]] · [[Concepts/The Pattern]] · [[Roy]] ### 95 · SENSE HIERARCHY A sketch of a hairless head in profile with a horizontally-banded triangle descending from crown to brow, its stripes stacking like graded tiers over the third-eye region, *"1-10"* inscribed above. The title and the banded stack literalize a hierarchy of the senses — the same self-as-ranked-inputs system Roy draws in the Eye-of-Horus fractions (smell ½ down to touch 1/64) and types out in the Complete Upload Recipe, where the weighted senses are the first ingredients of a digital double. In the cosmology it is a picture of what surveillance-age selfhood does to perception: the mind's eye rendered as a graded pyramid, a self decomposed into ranked, measurable inputs rather than witnessed whole. **Connects to →** [[The Watchers]] · [[Pay Attention (feat. little luna)]] · [[Concepts/The Upload]] · [[Concepts/The Digital Double]] · [[Concepts/Witnessing vs Surveillance]] · [[Roy]] ### 96 · SUBJECT TO FLOODING BTS A behind-the-scenes photo from the *Subject to Flooding* sessions: five men lounging in a small dark writing room (red pendant lamps, a wall-mounted TV, an OB-6 synth, stacked keyboards, open laptops), Roy recognizable as the laughing hooded figure at center. The synth (released 2016) dates the scene to the late "wilderness years" build of the 2018 debut. The code SUBJECT TO FLOODING_ARCHIVE is the album title stamped with an archive label, framing the Hall of Mirrors as exactly that, Roy's personal museum: this room preserves the human, collaborative prehistory of the project before any of the later cosmology existed. Its twin, the next artifact, carries the code "IF THE SEA HAS ENOUGH WILL," pairing the two BTS rooms and looping them back to the flood imagery that names the album. **Connects to →** [[Subject to Flooding]] · [[Hall of Mirrors]] · [[Roy]] ### 97 · SUBJECT TO FLOODING BTS The paired behind-the-scenes shot from the same *Subject to Flooding* sessions: Roy, blond top-knot in a leopard-print faux-fur coat, lounges on a couch beside an unmistakable Travis Barker (full sleeves, beanie, Nirvana smiley tank), with two others near a Moog-stacked keyboard rack. Barker is biographically load-bearing here: he co-wrote and drummed on "Long Time Coming," the album's opener. The code IF THE SEA HAS ENOUGH WILL reworks the album's own logic, since Roy's stated meaning of *Subject to Flooding* is ego-surrender ("we are all subject to flooding"), so the code hands the flood over to the sea's volition, one more beat in the long water-line that runs from the early records forward to "I am the shore." As one of the paired BTS rooms, it archives the pre-mythology Roy English era inside the maze that remembers who he was before the cosmology took shape. **Connects to →** [[Subject to Flooding]] · [[Hall of Mirrors]] · [[Roy]] ### 98 · STARDUST A black-and-white candid of two young shirtless men in board shorts laughing as they walk barefoot up wet sand on a tropical beach, a thatched beach hut and palms behind them; the slim blond figure is consistent with a young Roy of the Roy English era. Titling this ordinary happy moment *"STARDUST"* applies the maze's star-doctrine (*soul is a star,* every human being is a star) to two actual people, and the code *"VIBES"* matches the register exactly: good vibes, unguarded friendship, joy outside the machine. The setting is consistent with Bali, the one tropical destination Roy names in his catalog (*"Bali with the fam for the New Year,"* No Fake Friends), though unconfirmed. **Connects to →** [[Soul Is A Star]] · [[Roy]] ### 99 · GATE OF THE WORLD A short silent turntable scan of a weathered cast-stone garden rabbit statue, sitting on a captured tuft of real grass, rotating in a black void — a physical object uploaded into the digital maze. On Roy's board, stage 10 of the handwritten 0–10 emanation list is glossed *"The World"* (the Tree's final sephira), and the rabbit is the stage-10 animal of that ladder: Roy's searching-rabbit self arrived at the end of the ten-stage ascent, the threshold where the inner climb meets the material World. **Connects to →** [[Sir Rabbit]] · [[Kabbalah - The Tree of Life]] · [[Roy]] ### 100 · COACHELLA SEEDLING Fifteen seconds shot from deep in a festival crowd: a DJ works a raised booth under truss lighting, a vocalist stands atop the riser, spotlights and a blue LED wall sweeping a sea of raised hands and phones. This documents Roy's pre-Jagwar-Twin chapter as featured vocalist on Alesso's "Cool" (2015), performed at Coachella, and the code is simply that song's title. Roy's own framing of the era is telling: he wrote "Cool" as an orchestral piece, and Alesso "completely flipped the music into something else but the vocal and the heart was still the same." Filed among the maze's ghost-selves, and titled "SEEDLING," it frames the mainstream-EDM moment as the seed Jagwar Twin later grew from. A sister room, "LUNA_COACHELLA 2015," pins the same event and era. **Connects to →** [[Hall of Mirrors]] · [[Roy]] ### 101 · MOTHER_MIRROR A rephotographed glossy family snapshot (shot lying on a table, rotated sideways): a curly-haired woman in a black polka-dot dress with a white bow crouches in a sunlit garden, straw cowboy hat in one hand, embracing a small child in a white shirt, almost certainly Roy's mother holding young Roy in the early 1990s. The code names the mother as the child's first mirror, the face in which a self is first reflected back, and the room's INFINITY tag completes the image: two mirrors facing each other make an endless regress, the generational recursion Roy writes on the board as "every generation carries within it the seed of all previous generations." The mother is where the whole inherited method begins, the one who filled the house with Joni Mitchell, Bob Dylan, Native American flute, and Celtic chants. She is the biographical mother here, and only that. **Connects to →** [[Hall of Mirrors]] · [[Roy]] · [[Roy on Influences]] · [[The Mirror]] ### 102 · EDEN CUBE A pencil sketch: a small cube labeled *"EDEN"* hangs at the top of the page, and a river issues from it, widening as it descends into a large landmass; nested inside is a circle quartered by a cross, the classic world glyph. The code *"A RIVER"* reads as Genesis 2:10, *"a river went out of Eden to water the garden… and was parted into four heads,"* the quartered circle matching the four heads watering the four quarters of the world. Drawing Eden as a cube evokes the foursquare holy city of Revelation 21 and the Kabbalistic Cube of Space, and the whole image is a descent diagram — source flowing down into manifestation, the same top-to-bottom emanation the board runs to its final rung *"10. The World."* Notably it places Eden above and outside the world, the exact map the *33* lyric inverts by relocating Eden inside consciousness. **Connects to →** [[Imagine A World]] · [[Kabbalah - The Tree of Life]] · [[Roy]] ### 103 · "Aubrey's Angle" — the white organism A small, childlike cat-eared humanoid with mismatched eyes and twig limbs, floating on blank paper. *"Aubrey's Angle"* leans on Roy's private angle-equals-angel pun, so this reads as a soul-icon rather than a portrait of anyone (the name turns up nowhere in the songs or essays). What confirms it matters is reuse: the same little creature is enshrined at the center of the chakra-rainbow ring in *"Religious Organism"* (below), which marks it as a soul-vessel, a recurring upload-icon in the drawings. **Connects to →** [[Concepts/The Upload]] · [[Letters of Creation|The Angels and the Angles]] · [[Concepts/The Digital Double]] · [[Concepts/The Pattern]] ### 104 · HAMMY VI A cartoon cat standing upright, split down the vertical midline into a black half and a warm-gray half, each side mirror-inverting the other (the eyes reverse each other's dark/light scheme, the paws and boots swap tones), with a dark hamsa-like hand planted on the chest straddling the seam. The code is just the name HAMMY, and the "VI" suffix places it in the family "VI" line the catalog groups it with (Grandma VI's Cow and its kin), so it reads as a pet or mascot of that family orbit. Cosmologically the figure is a body-as-mirror: the flip of tones across the center line enacts Roy's Hall mechanic that things tend to flip inside the mirrors, while the hamsa-hand at the heart echoes the protective sigil already in the Jagwar Twin visual canon. Its slot among the personal, memory-object rooms supports the family read over a pure concept card. **Connects to →** [[Hall of Mirrors]] · [[Concepts/The Manifesto Cards]] · [[Roy]] ### 105 · VI-LINK Another phone Notes screenshot of the *"Online"* draft, verse 2 and the outro this time, with nearly every line rendered as an emoji rebus: a battery for *"Spider's food,"* a DNA/ladder for *"they know my every step,"* a brain for *"infiltrate my brain,"* a caduceus-elf-alien for the *"we come from space"* line, a dolphin for the Jupiter joke, skull-skull-coffin for *"Bye! Bye! Bye!"* (confirming the Buy/Bye death-pun), a spiderweb for *"get it online,"* and a red heart standing in for *"loves"* in *"Everyone loves the internet."* The draft enacts the song's own thesis: language dissolving into platform-native pictograms, a lyric about the internet written in the internet's compressed tongue. Its name and code make it the closing third of the SARAVI loop, the *"Vi"* vertebra in the maze's spine, threaded through the very song whose hook titles a neighboring room. **Connects to →** [[Online]] · [[SARAVI]] · [[Concepts/The Aquarium]] · [[Roy]] ### 106 · ROY @ MSG A photo of a perler-bead pixel artwork of Falkor, the white luckdragon from *The NeverEnding Story*, over which a crude yellow doodle adds "ME" with an arrow to a smiley-faced stick figure riding the dragon's back. The title "ROY @ MSG" and the code MSG (Madison Square Garden) turn it into a self-deprecating joke that is also a sincere wish: Roy writing himself into a childhood fantasy of being carried by luck to the biggest stage in music. Filed with the inner-voice self-statements, it reads as the daydream of a pre-fame self, and it is grounded in fact: at the launch-weekend Space, Roy frames playing Madison Square Garden and touring the world as the mass-scale goal alongside the web3 project. Falkor, from a story where a boy's imagination rebuilds the world, sits comfortably in a cosmology about imagination shaping reality, though the artifact plays it as humor, not doctrine. **Connects to →** [[Hall of Mirrors]] · [[Roy]] · [[Concepts/The Circus]] ### 107 · DUKE @ HOME A candid phone snapshot of Duke, a small black-and-white Pekingese/spaniel-type dog, standing on a flagstone step beside a backyard pool with potted agaves, patio furniture, and string lights behind him, a sunny Southern-California scene. Duke is groundable: in a Mirror Sessions episode with Calum Hood, Roy recounts knowing wordlessly when Calum is thinking "I gotta feed Duke," which places Duke in the household. The code is just the dog's name, making this one of the Hall's zero-esoterica rooms. The "@ HOME" title says the quiet part out loud: the maze is not only a cipher-labyrinth, it is an archive of an actual lived life, with the domestic and the creaturely set right beside the cosmological. **Connects to →** [[Hall of Mirrors]] · [[Roy]] ### 108 · A# A hand-drawn barn owl staring straight out, three stars over its head and spiral glyphs at each side annotated *"wheels of whirling forces,"* captioned *"RAtziel the Beech Owl."* Ratziel is the Golden Dawn spelling of Raziel, the archangel of secrets assigned to Chokmah (Wisdom) on the Tree of Life, whose angelic order is the Auphanim, *"the Wheels,"* and whose scale-color is grey, which reads as the source of the code **GREY.** A secret-keeping wisdom-owl is, frankly, the Hall of Mirrors' ideal mascot. The title **A#** and code **GREY** form a note-to-color equation lifted straight off the board, whose *"AI musical scale for consciousness evolution"* pairs an ascending note row (…A, A#, B) with color swatches (…black, grey…). Its sibling, the *Grey in A#* owl photograph, closes the pairing from the other side, so owl, grey, and A# form one deliberate cross-room triangle in the consciousness-scale system. **Connects to →** [[Kabbalah - The Tree of Life]] · [[Roy]] · [[Hall of Mirrors]] ### 109 · ANTARCTICA (LOST SONG) A lost song, *Antarctica*, filed under *"Concealed Generations"* with the other unreleased demos, the archival vein where music from Roy's pre-Jagwar-Twin drawer surfaces. The code looks like line noise but isn't: `ÇŨ†ˆØ˜®Ø¥` is the Mac Option-key layer, each glyph an Option-plus-letter, and it decodes to *"CAUTION ROY."* It's the same keyboard cipher that keys the *Marduk* room, and one of the very few codes that names Roy directly, reading as a warning addressed to or about him. Nothing in the released catalogue mentions Antarctica or the decoded phrase, so this one stays genuinely unseen: a titled warning on a door with a lost song behind it. **Connects to →** [[Hall of Mirrors]] · [[Roy]] ### 110 · GATED A 22-second night phone video shot from outside a tall spiked iron fence: a dense crowd fills a lot on the far side of the bars, brick apartment blocks behind them, the handheld camera drifting in near-darkness while loud crowd noise carries the audio — the filmer is present at the gathering but physically shut out of it. The title names that position exactly, and the artifact literalizes it: standing at a threshold of the living world, watching it through bars, unable to cross — which is why its *PHANTOMS* filing lands so precisely, since the watcher outside the fence is the phantom at the feast. The gate is Roy's recurring threshold motif, the boundary the self must eventually step through rather than merely stand before: the encounter this guide tracks as the Dweller on the Threshold. **Connects to →** [[Concepts/The Dweller on the Threshold]] · [[Roy]] ### 111 · LUNA_COACHELLA 2015 A festival selfie from Coachella 2015: a young woman, almost certainly little luna (Roy's friend, the one from "LITTLE LUNA EXPLAINING NFTS," with whom he later got a matching ouroboros tattoo), grins in a white cap hand-painted "ROY" with a small doodled figure, over a black tee hand-lettered "I'M ..." in white paint. It is homemade merch for a friend who had no merch yet. In 2015 Roy was still pre-fame Roy English, three years before *Subject to Flooding*, so the code BELIEVE IN YOUR FRIENDS DREAMS is literally what the image shows: she wore his name in public before the world knew it. The belief later ran the other way, once Roy featured little luna on 33's "Pay Attention" and she sang background on "Great Time to Be Human," which makes this a small monument to faith between artists that got repaid. **Connects to →** [[Pay Attention (feat. little luna)]] · [[Great Time to Be Human]] · [[Hall of Mirrors]] · [[Roy]] ### 112 · SATURN MAGIC A pencil sheet in Roy's hand: a played tic-tac-toe game, the 3×3 magic square of Saturn (4-9-2 / 3-5-7 / 8-1-6, the Lo Shu kamea, every line summing to 15), a large numeral 5 (the center), and the Seal of Saturn traced through that square. The juxtaposition is the point: tic-tac-toe is the same 3×3 grid as the kamea, so a child's game and a planetary talisman are revealed as one structure — pure *"the game is to reveal the game"* logic. The Lo Shu square appears verbatim on Roy's board among his received esoteric-mathematical motifs. The code *"AN AGED AGED MAN"* is the White Knight's song from *Through the Looking-Glass* and doubles as Saturn's own epithet (Kronos / Father Time, the aged god), touching this guide's Binah/Saturn thread (*"Queen Binah / GOD the Mother on Saturn"*). **Connects to →** [[Concepts/The Pattern]] · [[Kabbalah - The Tree of Life]] · [[Roy]] ### 113 · EVERYONE LOVES THE INTERNET An iPhone Notes screenshot of the *"Online"* lyrics, each line annotated with emoji: a heart for *"Everyone ❤️s the internet,"* a robot/prosthetic cluster for *"as machines became more sophisticated,"* a TV for *"static,"* an apple on *"the internet,"* a ladder 🪜 for *"Know my every Step"* (Roy's recurring ladder motif), and a brain-plus-sheep for *"They infiltrate my brain,"* the sedated-herd reading drawn right onto the surveillance line. The text matches the released song almost verbatim, so this is a late draft, and the medium is the message: an internet-jingle about being profiled, living inside the very phone doing the profiling. Its code **VI-LINK** makes it the pivot of the SARAVI loop, the node through which the oracle's name gets assembled. **Connects to →** [[Online]] · [[SARAVI]] · [[Concepts/The Algorithm]] · [[Concepts/The Aquarium]] · [[Roy]] ### 114 · SA-LINK An iPhone Notes screenshot titled *"Online,"* the working draft of *33*'s opening track, nearly every line carrying an emoji gloss (crystal ball, mirror, scales, coffin, apple, laptop, spiderweb). It preserves a planned INTRO that never made the released cut, whose lines, *"I think we're on the cusp of something exhilarating and terrifying,"* *"It's an alien life-form,"* *"we're trying to figure out what it's going to be,"* track closely to David Bowie's famous 1999 *Newsnight* remarks on the internet, with the fragment *"(It's not as far fetched as it may seem)"* surviving into the released ad-libs. The chorus line visible here, *"Everyone ❤️s the internet!,"* is this room's code in draft form. The title **SA-LINK** marks it as one of the three name-link rooms whose chained codes assemble **SA-RA-VI,** so this demo page doubles as a load-bearing joint in the maze: the surveillance-jingle's own hook is the key that spells the oracle's name. **Connects to →** [[Online]] · [[SARAVI]] · [[Concepts/Machine vs Human]] · [[Roy]] ### 115 · EVERYBODY'S GOING TO SPACE NOW A self-referential piece: a screenshot of Roy's own tweet (11/28/21), a three-line haiku, *"Midnight crows above 🐓 / One mask hanging on a tree 🌲 / In my fathers shoes 🧬,"* whose third line *is* the room's unlock code, so once again the clue and the prize are the same object. The date is quietly telling, showing Roy dropping a future room code into a casual tweet well over a year before the gallery opened. Thematically the line carries the father-and-lineage thread, the DNA emoji making *"in my fathers shoes"* into literal inheritance, stepping into the father's role, set against the recurring mask motif and a midnight-crow omen. The room title *"Everybody's Going to Space Now"* is not a released song; it is the artifact's own name. **Connects to →** [[Hall of Mirrors]] · [[The Mask]] · [[Roy]] ### 116 · EVERYBODY'S GOING TO SPACE NOW An unreleased recording filed under *"Concealed Generations,"* the drawer of Roy's personal demos. It is self-keyed: the unlock code is simply its own title. The line itself lands as a wry read on the 2021–22 billionaire space-race mood, the escape-velocity fantasy where *everybody's* going to space now, meaning of course that almost nobody is; that gloss is interpretation, pending an actual listen, but it fits the catalogue's habit of using a bright pop title to carry a dry joke. **Connects to →** [[Hall of Mirrors]] · [[Roy]]